After Dracula tells of films set in London music halls and Yorkshire coal mines, South Sea Islands and Hungarian modernist houses of horror, with narrators that survey the outskirts of contemporary Paris and travel back in time to ancient Egypt. Alison Peirse argues that Dracula (1931) has been canonised to the detriment of other innovative and original 1930s horror films in Europe and America. By casting out the deified vampire, she reveals a cycle of films made over the 1930s that straddle both the pre- and post-regulatory era of the Hays Production Code an stringent censorship from the British Board of Film Censors. These films are indepenedent and studio productions, literary adaptations, folktales and original screenplays, and include Werewolf of London, The Man Who Changed His Mind, Island of Lost Souls and Vampyr. The book considers the horror genre's international evolution during this period, engaging with a number of European horror films that have hitherto received cursory attention. It focuses on the interplay between Continental, British and transatlantic contexts, and particularly on the intriguing, the obscure and the underrated.
Wordsworth Classics covers a huge list of beloved works of literature in English and translations. This growing series is rigorously updated, with scholarly introductions and notes added to new titles.
After Dracula tells of films set in London music halls and Yorkshire coal mines, South Sea islands and Hungarian modernist houses of horror, with narrators that travel in space and time from contemporary Paris to ancient Egypt.
Featuring introductions from Dacre Stoker, Ian Holt and Leslie S. Klinger, this story includes every major character from the original – alive AND dead!
Called Makt Myrkranna (literally, “Powers of Darkness†?), this Icelandic edition included an original preface written by Stoker himself.
Dracula the Un-Dead provides answers to all the questions that the original novel left unexplained, as well as new insights into the world of iniquity and fear lurking just beneath the surface of polite Victorian England.
She read over again, the part about the Russian ambassador named Kuritsyn who visited Vlad Dracula's wife, Ilona Szilagi, and his three children. It was six years after Dracula's death, and all were staying with Mathias in Buda.
Dracula
... 262; Renfield's 72, 75, 103,134, 147, 150 Psycho (1960 film) 140 Psycho (1998 film) 140,146 Quarry, Robert 248, ... 225 Red Scream Nosferatu (film) , 269, 270, 271, 273 Redgrave, Corin 61, 65, Reeves, Keanu 123, , 131 reflection, ...
"This biography details Bernard's life from struggle to success.
These films are based on Joseph Sheridan Le Fanu's short story "Carmilla" (1871), a story of vampirism with lesbian overtones. Thus, these films exploit the sexuality of vampirism--specifically, a female vampire whose favorite victims ...