Chesterton and the Edwardian Cultural Crisis
... la víspera Ein kryptischer Cervantes . de su centenario ( I - II ) Die geheimen Botschaften Ed . Kurt Reichenberger im » Don Quixote « 1994 , ( 2 vols . ) VIII , 1-354 ; 355-670 pp . 2002 , 180 pp . ( Estudios de literatura 24/25 ) ...
Aidan Nichols. Chapter 2. Chesterton. and. the. Edwardian. Cultural. Crisis. Chesterton sought to affirm timeless truths, either about the hu- man condition or about Christian revelation: truths that would be, as we might say nowadays, ...
the works of the great novelists of the century; in his middle chapters, he examines in detail novels by Scott, ... Twentieth-Century Literature in Retrospect, Cambridge, Massachusetts: Harvard University Press, 1971 Dodsworth, ...
"Here, Knight crafts a portrait of Chesterton - the Fleet Street newspaperman who was able to entertain vast audiences as well as the thinker who could illuminate serious questions about justice, fairness, and faith, and who helped confront ...
Barr had authored two Holmes parodies, The Adventures of Sherlaw Kombs [The Great Pegram Mystery] in May 1892 and The ... Valmont is a man of swagger, pretension, arrogance and urbanity, who in such traits recalls Sherlock Holmes.
In a succession of building developments from the mid - nineteenth century , wealthy businessmen's houses , often built on carved - up country estates , translated the style of the landed gentry into the more pragmatic mode so disliked ...
The England of G.K. Chesterton Julia Stapleton. 23. Ward, Gilbert Keith Chesterton, 120. 24. Koss, Fleet Street ... Edwardian Cultural Crisis, 66–68. 29. The same pattern emerged in The Speaker following Chesterton's critical review of a ...
This is a compelling case study of a distinctive theological theme - the eschatological interpetation of the historical Jesus in Edwardian England - as an attempt to add greater precision to the history of theology in a neglected period.
Freya Johnston argues that one of the chief distinctions of Whitman's verse is its 'enumerative method of assembling high and low materials precisely in order “to enlarge” the literary empire's “limits”' (65).