Looking at how the technologies of cinema and warfare have developed a fatal interdependence, this book explores these conjunctions from a range of perspectives. It gives a detailed technical history of weaponry, photography and cinematography, with accounts of films and military campaigns.
... STYLE AND INTERPRETATION John Gibbs NEW CHINESE CINEMA : CHALLENGING REPRESENTATIONS Sheila Cornelius with lan Haydn Smith SCENARIO : THE CRAFT OF SCREENWRITING Tudor Gates ANIMATION : GENRE AND AUTHORSHIP Paul Wells WOMEN'S CINEMA ...
Wills looks at the portrayal of the war in film, explores their accuracy, how the films influenced each other, and how they reflect America's changing understandings of the conflict and of the nation.
About depictions of war in cinema.
This book focuses on European war films made about the war between 1945 and 1985 in countries that were occupied or invaded by the Nazis, such as Poland, France, Italy, the Soviet Union, and Germany itself.
Post-war Cinema and Modernity explores the relationship between film and modernity in the second half of the twentieth century. Its distinguishing feature is the focus on the close connections between history, theory and textual criticism.
In this exciting new book, Anton Kaes argues that masterworks such as The Cabinet of Dr. Caligari, Nosferatu, The Nibelungen, and Metropolis, even though they do not depict battle scenes or soldiers in combat, engaged the war and registered ...
Sgt. Jesse L. Wilkins, “Five Seats for Colored Boys,” Pittsburgh Courier, November 29, 1944, n.p., reprinted in Taps for a Jim Crow Army, ed. Benjamin Quarles and Bernard Nally (Lexington: University Press of Kentucky, 1993), 200, 201.
Drawing upon analyses of iconic and critically acclaimed war films such as Saving Private Ryan (1998), The Thin Red Line (1998), Rescue Dawn (2006), Restrepo (2010), and Zero Dark Thirty (2012), this volume's examination of the genre ...
This work treats the concept of trauma critically, however, and posits that social trauma must be understood as a framework for producing social and political meaning out of these historical events.
Action centers on Bob Barnes (George Clooney), an over-the-hill CIA agent loosely based on Robert Baer. After assassinating some Iranian arms dealers, Barnes returns to Washington and finds himself in a web of intrigue.