Richard Samuel Roberts, a black photographer, had operated a commercial studio in Columbia from 1920 until his death in 1936. When his studio was closed down shortly thereafter, his negatives were stored under the family home. Not until 1977 did a chance visit by a field archivist from the South Caroliniana Library at the University of South Carolina reveal the fact that Roberts's negatives still existed. Almost miraculously, most were still in good condition. In their scope and camera artistry they constitute an eloquent pictorial record, documenting the life and times of the black inhabitants of a southern city from just after the First World War until well into the Depression. Especially noteworthy is Roberts's depiction of the black middle-class community. Those unfamiliar with the South of the 1920s and 1930s are unaware that there was a flourishing black middle-class in the southern cities. Here, captured by Roberts's camera, is ample evidence of its existence. Some 200 of his best pictures have been chosen for publication in A True Likeness. They show men, women, and children in the studio and elsewhere, people at work and at play, their homes, automobiles, and other possessions. Roberts also traveled to other cities and into rural South Carolina, always with camera and film.
Presents a catalog of an exhibition of the Alonzo Jordan's photographs depicting the lives of African Americans in Jasper, Texas.
The story of the most prolific African American photographers in North America.
Shows that the history of black photographers intertwines with the story of African American life, as seen through photographs ranging from antebellum weddings and 1960s protest marches, to portraits of contemporary black celebrities.
A collection of diverse photographs from black female photographers from the mid-1800s to the present captures important aspects of African American history and reveals the talent and courage of a small band of pioneering artists.
"Vision & Justice" Addresses the role of photography in the African American experience, guest edited by Sarah Lewis, distinguished author and art historian.
Born Dead: The Story of Gordon Parks
More than 100 photographs by P.H. Polk (1898-1984) portray southern life in its many moods.
... The NAACP Comes of Age (Bloomington: Indiana University Press, 1990): 3. 72. see Gilmore, “False Friends and Avowed ... Age of FDR (Princeton, NJ: Princeton University Press, 1983): 64. 74. White, A Man Called White, 104–115; Gilmore ...
In this book, Dawoud Bey--well-known for his striking portraits that reflect both the individual and their larger community--offers his insight on creating meaningful and beautiful portraits that capture the subject and speak to something ...
A study of race and authenticity in the photography of the civil rights era and beyond