This literary critical study counters the usual tendency to segregate Southern literature from African American literary studies. Noting the William Faulkner and Flannery O'Connor are classified as Southern writers, whereas Zora Neale Hurston and Richard Wright are considered black authors. Timothy P. Caron argues for "an integrated study of the South's literary culture." He shows that the interaction of Southern religion and race binds these four writers together. Caron broadens our understanding of Southern literature to include both white and African American voices. Analyzing O'Connor's Wise Blood. Faulkner's Light in August, Hurston's Moses, Man of the Mountain, and Wright's Uncle Tom's Children, Caron shows that these writers share an intertwined concern for issues of race and religion. These two significant components of Southern culture form the intertextual network that binds together such seemingly disparate texts. These authors not only interact among themselves in acknowledged and unacknowledged ways, but also with the South's discursive practices. Most particularly, Caron sees common "struggles over the Word," as he investigates how these writers use the Bible in their understandings of race and religion in the American South. While all four authors argue for the centrality of the Bible in both the black and white Southern experience, each offers a different view of how this iconic text has shaped Southern culture and its literature.
Grace ( Gigi ) Gibson Gigi , whose given name , Grace , means “ grace of God , ” is the daughter of Manley Gibson , a convicted felon on death row , and a mother about whom she knows nothing . Some critics have suggested that the ...
It is a mythic relationship , which , as both Leslie Fiedler and D.H. Lawrence suggest , has been fantasized about , but is never realized . ” It is always out of reach , like the mystery of Moby Dick for Ahab .
"Lowe has written what may well be the Hurston book for the years to come.
Words, Signs, and the "Racial" Self Henry Louis Gates Jr. Chairman of the Department of Afro-American Studies and W.E.B. DuBois Professor of the Humanities Harvard University. 7. The. Same. Difference: Reading. Jean. Toomer,. 1923-1982.
Karen Laughlin and Catherine Schuler. Madison and Teaneck, N.J.: Farleigh Dickinson University Press, 1995. Parks, Suzan-Lori. The Death of the Last Black Man in the Whole Entire World. In The America Play and Other Plays.
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As the various dramatizations of the story of John Merrick ("the Elephant Man”) show, for example, the 0therness of the grotesque is differently perceived over time, a relation affected by knowledge, context (for example, those who saw ...
GERALD LEVIN : Richardson the Novelist : The Psychological Patterns . Amsterdam 1978. 172 p . Hfl . 30.Table of Contents : Preface . Chapter One . The Problem of Criticism . Chapter Two . “ Conflicting Trends ” in Pamela .
Mary L. Bogumil. UNDERSTANDING AUGUST WILSON Understanding Contemporary American Literature Matthew J. Bruccoli , Series Editor. This One 07B5-3C8 - LORB 98-40219.
Edited by Lynette Carpenter and Wendy K. Kolmar . Knoxville : University of Tennessee Press , 1991 . The Southern Literary Messenger Vol . 3 , No. 1 ( January 1837 ) . The Southern Literary Messenger Vol . 16 , No. 3 ( March , 1850 ) .