For the first time in its long history, The Art Institute of Chicago is publishing a catalogue of its extensive collection of American art. This landmark publication features 200 of the museum's finest American works. Among the highlights are paintings by Mary Cassatt, John Singleton Copley, Thomas Eakins, Winslow Homer, George Inness, John Singer Sargent, and James McNeill Whistler; sculptures by Horatio Greenough, Harriet Hosmet, Augustus Saint-Gaudens, and Lorado Taft; furniture from the colonial era to the twentieth century, including masterpieces by Herter Brothers and Frank Lloyd Wright; and superb silver and glass objects. The featured works in the collection are discussed in 150 short essays written by Barter, Kimberly Rhodes, and Seth A. Thayer, with contributions by Andrew Walker. All of these essays include new research, and are the most authoritative studies of these important objects. The authors have presented their findings in an accessible style that will engage both the general reader and the specialist. For anyone interested in American art, this is an indispensable guide to a great collection.
Technology and the Visual Arts in the Nineteenth Century
What Great Paintings Say: Masterpieces in Detail
Ciampelli was, like Pomarancio and Giuseppe Valeriano, regularly employed by the Jesuits; see Hibbard in Wittkower and Jaffe 1972, 40-41. 6. Bellori (1672) 1976, 217. 7. See Urbino 1953, 35-36. in 1607 (cat. 77).
Per tale motivo , nel 1908 in America la Germantown sullo schermo , e mettendosi a cantare sul filo dell'accompagna- Citizens ' Association mise al bando questi copricapi da " vedova mento musicale . Un simile coinvolgimento era ...
In the 1940s the Mandragora group around Braulio Arenas and Enrique Gomez Correa emerged in Santiago de Chile , distinguishing Surrealism from the Stalinism of the poet Pablo Neruda . In Buenos Aires the flavour of the movement was ...
Catalog of a traveling exhibition first held at the Museum of Fine Arts, Houston, Apr. 2-Aug. 28, 1995.
The art of Betye and Alison Saar: secrets, dialogues, revelations : Wight art gallery, University of California Los Angeles, [January...
According to A. Sutherland Harris , this painting bore an attribution to Jan Asselijn ' until it was recognised as a work of Du Jardin by Otto Naumann in 1984 ( privately ) . This was confirmed by R. Trnek and accepted by both A. C. ...
David Smith: Drawing + Sculpting : [exhibition], Nasher Sculpture Center, Dallas, April 16 - July 17, 2005
Abstrakter Expressionismus (Abstract Expressionism, Dt.). Der Triumph Der Amerikanischen Malerei