Diane Glancy sees books as being akin to maps, and often finds the Native American voices she writes about as she travels. Once, when driving through western Nevada, she stopped at Grant Mountain and Walker Lake, where the Ghost Dance began and still lives. There she found inspiration for The Dance Partner, this outstanding collection of short stories that begins in the present, jumps back to the time of the Ghost Dance, goes further back to the Sioux Uprising, and then moves forward again across 117 years of Plains Indian history.
The Ghost Dance was a late 19th-century phenomenon among Native American groups in the West. Followers believed that whites would disappear and that the "oldways of living" would return. In fact, Glancy's stories form a kind of Ghost Dance, circling what is with what was and will be. History is not in the past at all, but has a presence in the present in a way that transforms the future. In a culture where much has been erased, forgotten, or lost, the fragments of what is known are woven with the possibilities of what could have been in a technique that is called ghosting. Ghosting in writing presents voices that might have been alongside voices known to have been. Glancy takes the words of Native Americans, Porcupine and Kicking Bear, along with those of ethnologist James Mooney, and adds imagined voices. The past roams into the present. History comes down the road in many vehicles, out of chronological order, carnival trucks with different rides, each setting up unreality in funhouse mirrors that distort them into new ways of seeing is true. Glancy writes from a historical perspective and the imagination of what could have been. In the end, the Ghost Dance symbolizes the possibility of a rewritten life.
This early work by Jerome K. Jerome was originally published in 1893 and we are now republishing it with a brand new introductory biography.
Dance Partner for Deidre By: Deborah Miller-Harris Dance Partner for Deidre journeys into the little town of Yorkshire amidst the annual Maypole dance.
These are personal observations regarding social dance etiquette. Keep these rules with you and show them to all your dance friends. The social dance floor should be a safe and a fun place to meet people.
The work establishes a general analytical language for the study of these dances, based on the premise that a thorough understanding of any lead/follow form must consider in depth how it manages the four-part relationship between self, ...
- Learn faster through clear diagrams and explanations. - Uncover secrets of each dance. - Social etiquette for success with a partner. This book is for beginners and experienced dancers.
Without a hint of warning, Ann Reichardt's husband betrayed her after thirty years of marriage.
Take your partner in a double handhold and walk forward and back, switching roles as to who is leading and who is following. Do this exercise to fox-trot music, and move forward one step at a time using two beats for each step.
Eve brings the flirtatious energy of dancing alive like no other writer. Two by Two is not a book that teaches you how to dance, but it will surely make you want to learn once you've read it.
Pasha Kovalev has led an extraordinary life.
This book provides answers to the following questions: Part I Science and Philosophy Why do humans (partner) dance? How did the dance style urban kiz develop? Why are urban kiz and Rotterdam so interconnected?