"For decades readers accepted Louisa May Alcott's sentimental portrayal of the domestic world of women and children as evidence of her wholehearted support of the conservative ideologies of Victorian America. The women's movement of the 1970s sparked a reexamination of Alcott's writings, revealing a more radical vein but failing to establish the extent to which this impulse was realized." "In an effort to clarify Alcott's intent, Elizabeth Keyser examines representative works: the sensation stories "A Whisper in the Dark," "A Marble Woman," and "Behind a Mask"; the children's classics Little Women, Little Men, and Jo's Boys; and the novels for adults Moods, Work, and Diana and Persis. Keyser discerns in all three genres self-portraits or metafictions that convey what it meant to be a Victorian woman writer. Alcott's wealth of allusion to other writers, such as Charlotte Bronte, Margaret Fuller, and, especially, Nathaniel Hawthorne, and of recurring motifs such as textiles, texts, and theatricals reveals her consistent subversion of conventional values for women." "Keyser shows that beneath the mildly progressive feminism of her domestic and children's fiction lurks the more radical feminism of the Gothic thrillers. In some works Alcott symbolically conveys her vision of a feminist future in which men and women fulfill their androgynous potential and live in a harmonious state of equality. But in her most sustained critique of gender relations, the Little Women trilogy, Alcott betrays grave misgivings about the possibility of such a future."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
My cage. She'll love me again, or I'll expose her dirty secrets for the world to see while going down in flames with her.In darkness, it's most definitely till death do us part.Warning: This book is full of triggers.
Another captivating tale of danger and obsession from Eleanor Taylor Bland, Whispers in the Dark will keep fans and new readers alike in gripping suspense.
Nathan is being held captive and is in agony.
“Naw, Bitch did you hear me ask for a combo. ... it wasn't even worth her time to let this fool know that he'd save almost a dollar on the combo, but whatever. ... If yo ass had done the math you would've saw dat it was cheaper but.
At the end of the 19th century Charlotte Metcalf is a child of good fortune: a prosperous father, a loving mother, a loved brother all cocoon her from the fears of the outside world.
Now there’s an icy voice at the other end of the phone and a terrifying message left on Maddy’s door. Suddenly this ancient tale is becoming just a bit too real. Once, twice, three times he’s called out to her.
This collection features 12 of her most thrilling and chilling stories, covering aspects of treachery, drug use, control, desire, sexual conflict, suicide, obsession – and even the supernatural.
Alcott's wealth of allusion to other writers, such as Charlotte Bronte, Margaret Fuller, and, especially, Nathaniel Hawthorne, and of recurring motifs such as textiles, texts, and theatricals reveals her consistent subversion of ...
Written in Bond’s inimitable style and riveting to the core, this beautifully illustrated book is a must-have for anyone with a taste for the macabre.
Ptolemy Bent--"Popo"--is different.