"This book ... [shows] how the artist worked out his developing ideas primarily through drawing. Included are examples of work from his early years, such as the preparatory drawings he made as a muralist for the WPA in the 1930s, in addition to the increasingly abstract work of the 1940s and 1950s, and the sequence of pictorial experiments that led to his reintroduction of the figure in the late 1960s. Also reproduced, in color, are a number of painterly gouaches and a series of acrylics"--Back cover.
This book gathers this extraordinary body of work for the first time in its entirety.00Exhibition: Hauser & Wirth, New York, USA (01.11.2016-28.01.2017) / Hauser & Wirth, London, UK (19.05.-29.07.2017).
"This volume introduces the diverse voices that comprise Guston's linguistic tapestry. Guston never stopped talking for too long.
This book takes the reader from his early social realist murals and easel paintings of the 1930s and 1940s, to the Abstract Expressionist works of the 1950s and early 1960s, and finally to the powerful new language of figurative painting, ...
Neben Jackson Pollock und Willem de Kooning zählt Philip Guston (1913-1980) zu den bedeutendsten und einflussreichsten amerikanischen Künstlern des 20. Jahrhunderts. Der geheime Motor in der Entwicklung von Gustons höchst...
Published to accompany the exhibition ?Philip Guston and The Poets? at Gallerie dell?Accademia (May ? September 2017), this monograph exposes the artist?s oeuvre to critical literary interpretation.
Philip Guston Retrospective
Philip Guston (1913-1980) was one of the most independent of the painters whose work was loosely linked by the term "abstract expressionism" during the 1950s, and he baffled admirers of his lushly beautiful abstract expressionist paintings ...
Drawing from the imagery of his early murals and from elements in his later drawings, ignoring the prevailing “coolness” of Minimalism and antiform abstraction, Guston invented for these late works a cast of cartoon-like characters to ...
He spent the first two months brooding, despairing at the reviews and the rigidity of the art world, and revisiting the great art of the past that had first moved him to paint as a young man.
“ Works on Paper " In Gary Garrels , ed . , Celebrating Modern Art : The Anderson Collection , 287-98 . San Francisco : San Francisco Museum of Modern Art . 2000 . Elderfield , John , ed . “ American Drawing in the Mid - Twentieth ...