The Omni-Americans is a classic collection of wickedly incisive essays, commentaries, and reviews on politics, literature, and music. Provocative and compelling, Albert Murray debunks the "so-called findings and all-too-inclusive extrapolations of social science survey technicians," contending that "human nature is no less complex and fascinating for being encased in dark skin." His claim that blacks have produced "the most complicated culture, and therefore the most complicated sensibility in the western world" is elucidated in a book which, according to Walker Percy, "fits no ideology, resists all abstractions, offends orthodox liberals and conservatives, attacks social scientists and Governor Wallace in the same breath, sees all the faults of the country, and holds out hope in the end."
Editors Henry Louis Gates Jr. and Paul Devlin present a definitive edition of Albert Murray's collected nonfiction, including his 1971 memoir South to a Very Old Place, inspiration for Imani Perry's South to America.
The highly acclaimed novelist and biographer Albert Murray tells his classic memoir of growing up in Alabama during the 1920s and 1930s in South to a Very Old Place.
In this classic work of American music writing, renowned critic Albert Murray argues beautifully and authoritatively that “the blues as such are synonymous with low spirits.
This is the first book-length study of the writings, work, and life of Renaissance man and Alabama native Albert Murray.
This absorbing collection of letters spans a decade in the lifelong friendship of two remarkable writers who engaged the subjects of literature, race, and identity with deep clarity and passion.
Mitchell then restated the theme, embroidering it slightly, and this time Ru¤ counted in Chinese: “Yi, er, san, si, wu, liu, qi, ba . . .” This so delighted the students that they forgot to join him. “I can't hear you,” Ru¤ said, ...
In this visionary book, Murray takes an audacious new look at black music and, in the process, succeeds in changing the way one reads literature. Murray's subject is the previously unacknowledged kinship between fiction and the blues.
Ten years ago, Michael Pollan confronted us with this seemingly simple question and, with The Omnivore’s Dilemma, his brilliant and eye-opening exploration of our food choices, demonstrated that how we answer it today may determine not ...
A new edition of a celebrated contemporary work on race and racism Praised by a wide variety of people from Ta-Nehisi Coates to Zadie Smith, Racecraft “ought to be positioned,” as Bookforum put it, “at the center of any discussion of ...
Black-and-white cattle with strange horns (from India, I was told) were scattered here and there. There was a farmhouse, white, with a tiled roof, and beyond that the bowl's rim seemed to rise and become a green-walled cliff.