"The story of Prince's career is inseparable from the history of the American musical theatre for the past 40 years...In-depth accounts of musicals Fiddler on the Roof, West Side Story, Cabaret, Company, and Sweeney Todd will be of interest to any musical theatre buff." -American Theatre
This comprehensive study of the career of one of Broadway's most influential director/producers discusses the quintessential elements of Prince's theatrical work and assesses his impact on both the American and British musical theater
Sense of Occasion gives an insider's recollection of the making of such landmark musicals as West Side Story, Fiddler on the Roof, Cabaret, Company, Follies, Sweeney Todd, Evita, and Phantom of the Opera, with Prince's perceptive comments ...
"Hal Prince's career in the American theatre ... [as of 1974] has encompassed every aspect of producing and directing. Having served his apprenticeship with George Abbott, he co-produced in 1954...
April 11 , 2003 , p . 28 . 5030. Nolan , Michelle . " Dollface ( Who ? ) and Her Gang . " Comics Buyer's Guide . Jan. 17 , 2003 , p . 28 . 5031. Nolan , Michelle . " Infantino's Sherlock of Simians ... Detective Chimp .
This volume is a contribution to the aesthetics of the «new musical», which has developed into a high art form over the last thirty years. The decisive breakthrough occurred with...
1955), a nondescript twenty-one-year-old obsessed with actress Jodie Foster; Charles Guiteau (1841–1882), a deluded political aspirant convinced he deserved to be named ambassador to France; Giuseppe Zangara (1900–1933), ...
Hobe Morrison, 'Hal Prince's 20-Year Box Office Ratio of 85% Profit; Some Still Potential', Variety, 13 February 1974, for capitalization, and, Ilson, Harold Prince, 22, for number of investors. 9. Prince, Contradictions, 20. 10.
In this lively book, Stacy Wolf illuminates the women of American musical theater—performers, creators, and characters—from the start of the cold war to the present day, creating a new, feminist history of the genre, which finds often ...
Quoted in Hirsch , Harold Prince , 21 . 66. Richard Rodgers and Oscar Hammerstein , introduction to Allegro , 116 . 67. Alan Jay Lerner , The Musical Theatre : A Celebration , 170-71 . 68. Cheryl Crawford , One Naked Individual , 168 .
201–11 in Meryle Secrest's Leonard Bernstein: A Life; pp. 247–53 in Joan Peyser's Leonard Bernstein: A Biography; chapter 26 in Harold Prince's Contradictions; pp. 146–56 in Foster Hirsch's Harold Prince and ...