This volume looks at the work of Jan Miense Molenaer, an artist of the age of Rembrandt and Vermeer. He was probably a student of Hals and a spiritual heir of Pieter Bruegel the Elder. Essays and plates focus on Molenaer's comic scenes of Dutch peasant life. His versatile work, painted in Haarlem and Amsterdam, also includes: portraits; gene scenes including peasant weddings, theatrical performances, religious narratives and children at school and play; and allegories. 92 colour & 128 b/w illustrations
A vivid portrait of a remarkable artist, A Light of Her Own is a richly-woven story of grit against the backdrop of Rembrandts and repressive religious rule.
Judith Leyster: A Dutch Master and Her World
Nevitt places these works in the context of the culture of love at the time, which manifested itself in the social practices of courtship and a variety of amatory texts.
Publisher description
Judith Leyster: A Woman Painter in Holland's Golden Age
2 Political Iconography in a Painting by Jan Miense Molenaer The Musical Duet ( A Young Man Playing a Theorbo and a Young Woman Playing a Cittern ) , by Jan Miense Molenaer , in the National Gallery in London ( fig .
Indeed, his source for this image was textual, not visual, in the form of a letter written long before, in 1717, by Lady Mary Wortley Montagu, whose husband was British ambassador to Constantinople. She described a women's bath with two ...
The book seeks to understand the multiple levels on which Halss consciously cultivated manner of painting operated for himself, his pupils and assistants, his clients, and succeeding generations of viewers.
In The Body of the Artisan, Pamela H. Smith demonstrates how much early modern science owed to an unlikely source-artists and artisans.
Historians and art historians provide a critique of existing methodologies and an interdisciplinary inquiry into seventeenth-century Dutch art and culture.