In 1993 when Robert Lepage suggested to his colleagues that a specific identity and image be found for his next working group, he imposed one condition. The word "theatre" was not to be part of the name of the new company. This gorgeous full-colour book documents the results of that landmark decision: the dynamic creative arts company Ex Machina, constantly on the move in search of new forms of storytelling--from Lepage's own Dragon's Trilogy, through Richard Wagner's Der Ring des Nibelungen for the Metropolitan Opera of New York, to Peter Gabriel's world tours, or Cirque du Soleil's Kà in Las Vegas. Its frenetic dynamism means the company must constantly move simultaneously between story draft and stagecraft as it invites audiences the world over to their theatrical experiments where technology is part of the human adventure. Onstage, hierarchies, methodologies and narrative codes are turned inside out to create a rich stage vocabulary, free of the conventional constraints of theatre.
"The artists of Ex Machina believe that theatre craves new sources of inspiration," notes Michel Bernatchez, the company's producer. "What is needed is a commingling of the performing arts such as dance, opera and music with the recording arts such as cinema, video and multimedia. It calls for encounters between scientists and playwrights, between scenic artists and architects."
Robert Lepage has said, "Theatre, like the world itself, evolves very rapidly, as do its practitioners and its audience. The influence of film and television and the new dramaturgical possibilities offered by multimedia have opened the way to new forms of expression and new languages of staging that have only barely been explored. It is thus not simply the content and form of theatre that we are questioning, but also the role theatre will play in the new exchange of ideas in the 21st century."
In a poignant, dramatic memoir, Billie Holiday tells not only of her rise to fame as a blues singer, but also of the exploitation and racial prejudice she encountered as well as of her struggle with heroin addiction.
... Judy , 343 Knight , Fuzzy , 283 Koehler , Ted , 28 Kristofferson , Kris , 354 , 369 , 370 Krupa , Gene , 146 Jackson , Jeanette , 200 Jackson , Mahalia , 30 , 75 , 198 , 199– 203 , 205–12 , 265 , 276 , 320 , 325 , 326 , 364 Jagger ...
... II , 93 Kolb , Keith , I , 198 Korda , Alexander , II , 69 Kosloff , Theodore , I , 76 ; II , 76 Kotero , Apollonia , II , 93 Kramer , Stanley , I , 128 , 136 , 187 ; II , 161 Krantz , Jacob , see Cortez , Ricardo Kristofferson ...
Norman Holdsworth Charles Drake Dr. Grant Grant Mitchell Detective Lt. Egan Patrick O'Moore Nora Grant Ann Shoemaker Robert Freston Frank Wilcox Phillips Edwin Stanley Detective Lt. Workman James Flavin Mrs. Allman Mary Servoss With ...
... 98 Gods Must Be Crazy , The ( Uys ) , 174 Goldberg , Whoopi , 165 , 174 Goldblum , Jeff , 186 Golden Globe Awards ... 58 , 183 Hale , Alan , 3 Hall , Angela , 165 Hammett , Dashiell , 199 Hand That Rocks the Cradle , The ( Hanson ) ...
This, the first book-length study of Hong Kong cult director Wong Kar-wai, provides an overview of his career and in-depth analyses of his seven feature films to date.
After the inquest , Holmes speaks with Inspector Lanner and Miss Turner . Lanner sees no hope for McCarthy , but Holmes thinks differently . He quizzes Miss Turner on her relationship with McCarthy , and she reveals they had hoped to ...
Through a clever bit of business , the boys put over a big deal with a steel tycoon named Morgan Prentiss ( Samuel S. Hinds ) , and soon Pittsburgh has gone highbrow by marrying the boss's daughter Shannon ( Louise Allbritton ) .
Written with Jackson's full participation, this extensive biography, illustrated with never-before-seen photos from Jackson's personal collection, tells the inside story of how a New Zealander became Hollywood's hottest property?from the ...
本书主要内容包括:童年时光;初次登台;不安定的日子;舞蹈班的一员;艰难时日;初露锋芒;奔波在卡诺;第一次出国等。