Students and scholars of the Italian Renaissance easily fall under the spell of its achievements: its self-confident humanism, its groundbreaking scientific innovations, its ravishing artistic production. Yet many of the developments in Italian ceramics and glass were made possible by Italy's proximity to the Islamic world. The Arts of Fire underscores how central the Islamic influence was on this luxury art of the Italian Renaissance. Published to coincide with an exhibition at the Getty Museum on view from May 4 to August 5, 2004, The Arts of Fire demonstrates how many of the techniques of glass and ceramic production and ornamentation were first developed in the Islamic East between the eighth and twelfth centuries. These techniques - enamel and gilding on glass and tin-glaze and lustre on ceramics - produced brilliant and colourful decoration that was a source of awe and admiration, transforming these crafts, for the first time, into works of art and true luxury commodities. Essays by Catherine Hess, George Saliba, and Linda Komaroff demonstrate early modern Europe's debts to the Islamic world and help us better understand the interrelationships of cultures over time.
Because he has not done so, Sinimmar meets his death by freefall.35 Nizami's Haft Paykar (Seven Portraits) develops the imagery of Khawarnaq, and the seven pavilions related to it, most extensively. In Nizami's version of the story, ...
The Nasser D. Khalili Collection of Islamic Art
Islamic Art: An Introduction
Turkish Miniature Paintings and Manuscripts from the Collection of Edwin Binney 3rd
Palace and Mosque distils a rich and vibrant culture, and will be of lasting value to all those interested in the glories of the Islamic world.
Oxford University Press is proud to present the most up-to-date and comprehensive encyclopedia in this field. In three illustrated volumes with more than 1,500 entries, the Encyclopedia deals with all...