In 1981 Robert Adams published a volume of essays entitled Beauty in Photography, in which he suggested that art is too important to confuse with interior decoration or an investment opportunity. Its real use, he contended, is to affirm meaning and thus to keep intact an affection for life. Why People Photograph gathers a selection of Adams's writing since then. His subjects vary, but again he questions accepted prejudice, this time not only the view that art is trivial but that artists are separate. He demonstrates that many understand themselves to be bound to the world by complex and important obligations. Adams's writing is free of academic jargon. Readers will also appreciate his attention to common experience (he talks about trying to earn an income), his enjoyment of the unorthodox (one essay concerns dogs and photography), and above all his conviction that art matters. Photographers may or may not make a living by photography, he writes, but they are alive by it.
时间一晃了1991年9月,王老先生发来了二封。里附带费,诚周长上他见面。周长顿时了,做梦一样,想一张照片有这么大的力量,让他一趟从未过的大上,还和侨“谈”。周长怀惴惴不的心情来上,在一酒见了这、爽的王老先生。他了,原来这王老先生的籍在东头,早年毕业于上 ...
Snapshot Versions of Life is an important foray into the culture of photography and home life from an anthropologist's perspective. Examining what he calls "Home Mode" photography, Richard Chalfen explores...
Photographs don't lie--or do they? Two of our most thoughtful and eloquent interrogators of the visual examine the ambiguities of what is seemingly our most straightforward art form. ANOTHER WAY...
This is a practical and accessible guide that demonstrates how to intelligently and successfully reduce IT costs. Eliminating and driving down costs have long been second nature for many IT...
From the affluent children of the Westside to the graffiti gangs and party crews of East L.A., the Los Angeles young are obsessed by the seductive lifestyle of the entertainment...
Fred Ritchin's In Our Own Image is a comprehensive account of computer technology's impact on what we see and, ultimately, what we believe about the world. Both a history of...
These essays address us in the quiet voice of a working photographer, an artist and craftsman who has thought long and seriously about his endeavor, who has tested and questioned...
The first compilation of writings by a master of photography.One of the leading lights in photography of the twentieth century, Henri Cartier-Bresson is also a shrewd observer and critic. His...
本书在三个层面上展开叙事:一、民间相片自身的语言、语法与逻辑;二、20世纪50-80年代,有关这类相片生成或消亡的内在理路;三、对这一特定时期内民间相片的个人化认知。这一分期,上至民国结束,社会文化风潮全面转换,下至民间黑白照相终结,彩色时代来临。涉及类型包括家庭照、亲友照、集体照、个人照、标准照、异型照等。
一片净土饶阳县审计局赵彦彬一个人酷爱他的事业,就会将他的事业当作心中的净土,我们也有一片净土,那就是审计。在这片净土上,我们有太多的热情和认真。