This edition contains eight sacred compositions by the Leipzig cantors who were the immediate predecessors of J. S. Bach: Sebastian Knüpfer (163376), Johann Schelle (16481701), and Johann Kuhnau (16601722). They are edited from manuscripts collected by James Sherard (16661738), an English apothecary and amateur musician. Five of the works are large-scale vocal concertos, inluding two highly expressive psalm settings by Sebastian Knüpfer; a Magnificat by Johann Schelle that anticipates aspects of J. S. Bach's Magnificat in D Major (BWV 243); and Schelle's Durch Adams Fall, one of the first Lutheran works to combine chorale melodies, Biblical recitation, and arias. The remaining three compositions are virtuosic concertos for solo voice, including Schelle's Ah! Quam multa sunt peccata for alto, and two major additions to the repertory for tenor: Kuhnau's Laudate pueri and Muss nicht der Mensch. The instrumental writing also includes many notable features, such as two early examples of trumpet solos, one piece with scordatura violins, and two with organ obbligatos. Contents 1. De profundis, Sebastian Knüpfer (CCATB solo, CATB ripieno, 4 violas [or 2 violins, 2 violas], fagotto, violone, organ) 2. Lauda Jerusalem, Knüpfer (CATB, 2 violins, 3 violas, fagotto, violone, organ) 3. Salve solis orientis, Johann Schelle (CCATTB, clarino piccolo, 2 cornettinos, 3 trombones, 2 violins, 2 violas, basso continuo) 4. Durch Adams Fall, Schelle (CCATB, 2 cornettinos, 3 trombones, 2 violins, 2 violas, organ) 5. Magnificat, Schelle (CCATB, 2 cornettinos, 3 trombones, 2 violins, 2 violas, organ) 6. Ah! quam multa sunt peccata, Schelle (Alto, 2 violins, cembalo) 7. Laudate pueri, Johann Kuhnau (Tenor, 2 violins [scordatura], trombone or viola da gamba [or violoncello], basso continuo) 8. Muss nicht der Mensch, Kuhnau (Tenor, clarino, violin, fagotto, basso continuo)
London play-house tunes occupy an important portion of Atkinson's manuscript, including 'How blest are shepherds' from Purcell's King Arthur (1691); 'Though you make no return to my passion' from Purcell's The Maid's Last Prayer (1693); ...
Explores the meanings of the term 'author' for seventeenth-century German musicians, examining how compositions were made and used.
The valuable essays presented here are designed for the next level of Bach research and are aimed at masters and doctoral students, as well as others interested in coming to terms with the current state of Bach research.
Görner, Johann Gottlieb (1697–1778; composer & organist; from 1716 appts in Leipzig), 247,252,268,292, 341, 376, 504, 534, 535, 550, 552 Gotha, 13, 17, 116, 129, 148, 180n, 188, 232, 274, 279, 292, 298, 360, 506, 535, 548 Göttingen, ...
This companion volume to The Courtly Consort Suite in German-Speaking Europe surveys an area of music neglected by modern scholars: the consort suites and dance music by musicians working in the seventeenth-century German towns.
3 susan lewis hammond, Editing Music in Early Modern Germany (aldershot: ashgate, 2007). 4 other important studies of early editors include giulio M. ongaro, 'venetian printed anthologies of Music in the 1560s and the role of the ...
... Leipzig conventions for setting the canticle.” Stephen Rose, ed., Leipzig Church Music from the Sherard Collection: Eight Works by Sebstian Knüpfer, Johann Schelle, and Johann Kuhnau (Middleton, WI: A-R Editions, 2014), xviii. 27. As ...
... Leipzig Church Music from the Sherard Collection (AR Editions, 2014). His work on musical print culture has appeared in Early Music History, Journal of the Royal Musical Association, Music and Letters, and Notes; he has also contributed ...
... Sherard , see Michael Tilmouth , " James Sherard : An English Amateur Composer , " Music & Letters 47 ( 1966 ) : 313–22 , https://doi.org/10.1093 /ml/47.4.313 ; Leipzig Church Music from the Sherard Collection : Eight Works by Sebastian ...
Explores the meanings of the term 'author' for seventeenth-century German musicians, examining how compositions were made and used.