The book constitutes the first attempt to provide an overview of the reception of foreign drama in Spain during the Franco dictatorship. John London analyses performance, stage design, translation, censorship, and critical reviews in relation to the works of many authors, including Noel Coward, Arthur Miller, Eugene Ionesco, and Samuel Beckett. He compares the original reception of these dramatists with the treatment they were given in Spain. However, his study is also a reassessment of the Spanish drama of the period. Dr London argues that only by tracing the reception of non-Spanish drama can we understand the praise lavished on playwrights such as Antonio Buero Vallejo and Alfonso Sastre, alongside the simultaneous rejection of Spanish avant-garde styles. A concluding reinterpretation of the early plays of Fernando Arrabal indicates the richness of an alternative route largely ignored in histories of Spanish theatre.
... El vampiro de la noche (The Vampire of the Night), El fantasma de la opera (The Phantom of the Opera)— classical drama —Shakespeare's Rey Lear (King Lear), Lope de Vega's Fuenteovejuna— historical drama —Isabel la Católica, ...
... El informe Brusiloff: la Guerra Civil de 1936 en el Frente Norte vista por un traductor ruso [The Brusiloff report: The Civil War of 1936 in the northern front seen by a Russian translator]. Irún: Alberdania. Alcofar Nassaes, J. L. ...
... The Theatre in Madrid during the Second Republic. London: Grant & Cutler. Membrez, Nancy J. (1992). 'The ... Madrid: Ayuso. Monleón, José (1988). 'La llegada de La Cuadra a la escena española', Cuadernos El Público, 35, 7–15. Reproduced ...
... dıas en la vida de una mujer) (Montseny Man ̃e ́), 382 One Hundred Love Cells (Cien ca ́rceles de amor) (Brindis de ... 395 Oracio ́n por Marilyn Monroe (Prayer for Marilyn Monroe) (Becquer), 677 The Oracle's Secret (El secreto del ...
... Rafael La noche de la iguana 0007/64 1964 1967 Yes El caso de las petunias pisote- adas 0177/68 1968 1968 El largo adiós 0356/68 1968 1972 Yes El más extraño idilio 0395/68 1968 1969 Yes 0176/68 1968 1970 López de Cervera, ...
New York: Peter Lang, pp. 122–31. — (2000). Love in the Corral: Conjugal Spirituality and Anti-Theatrical Polemic in Early Modern Spain. New York: Peter Lang. Oliva, César (1975). Ocho años de teatro universitario: T. U. de Murcia, ...
Expanding understanding of the nature and effects of censorship, this volume affirms the power of theatre to challenge authorized discourses and makes a timely contribution to debates about freedom of expression through performance.
This is the first monograph on the performance and reception of sixteenth- and seventeenth- century national drama in contemporary Spain, which attempts to remedy the traditional absence of performance-based approaches in Golden Age studies ...
... Mise en scène. French theatre now. London: Methuen. Bradby, David and J. McCormick 1978. People's theatre. London: Croom Helm. Carlson, Marvin. 1966. The theatre of the French Revolution. Cornell: Cornell University Press. Condorcet ...
The label thus reinforces the bias in many academic approaches to post-war culture, which overlook the marginal position to which many artists of interest who remained in Spain were relegated in the 1940s and how this shaped their ...