This exhibition explores what is perhaps the dominant aesthetic of the 20th century—collage. Curated and organized by the Everson Museum of Art in Syracuse, New York, Some Assembly Required examines the history of collage as it has unfolded in the United States in the fifty-plus years since the end of World War II. From its beginnings in Cubism around 1912, when the term described the act of gluing bits of newspaper and other everyday objects onto the surface of paintings, collage has evolved to include works that combine found objects, photographs, and images from popular media. In addition to revolutionizing the way artists make art, collage can be appreciated for the way it has accompanied and fostered some of the most momentous shifts in art and society during the post-war period. Some Assembly Required consists of 45 works done in various types of media including paper, photomontage, sculptural assemblage, digital art and video. The selected works vary from traditional to cutting-edge with a wide diversity of conceptual aims.
Technology and the Visual Arts in the Nineteenth Century
What Great Paintings Say: Masterpieces in Detail
Ciampelli was, like Pomarancio and Giuseppe Valeriano, regularly employed by the Jesuits; see Hibbard in Wittkower and Jaffe 1972, 40-41. 6. Bellori (1672) 1976, 217. 7. See Urbino 1953, 35-36. in 1607 (cat. 77).
Per tale motivo , nel 1908 in America la Germantown sullo schermo , e mettendosi a cantare sul filo dell'accompagna- Citizens ' Association mise al bando questi copricapi da " vedova mento musicale . Un simile coinvolgimento era ...
In the 1940s the Mandragora group around Braulio Arenas and Enrique Gomez Correa emerged in Santiago de Chile , distinguishing Surrealism from the Stalinism of the poet Pablo Neruda . In Buenos Aires the flavour of the movement was ...
Catalog of a traveling exhibition first held at the Museum of Fine Arts, Houston, Apr. 2-Aug. 28, 1995.
The art of Betye and Alison Saar: secrets, dialogues, revelations : Wight art gallery, University of California Los Angeles, [January...
According to A. Sutherland Harris , this painting bore an attribution to Jan Asselijn ' until it was recognised as a work of Du Jardin by Otto Naumann in 1984 ( privately ) . This was confirmed by R. Trnek and accepted by both A. C. ...
David Smith: Drawing + Sculpting : [exhibition], Nasher Sculpture Center, Dallas, April 16 - July 17, 2005
Abstrakter Expressionismus (Abstract Expressionism, Dt.). Der Triumph Der Amerikanischen Malerei