The playsÍ stylistic variety, from the Brechtian Guadalupe and La victima through the realistically domestic Soldierboy to the modern morality play Money, combined with useful introductions both to the collection as a whole and to each of ...
"Born in 1965 as an organizing tool within Cesar Chavez's United Farm Workers union, El Teatro Campesino became the premier Chicana/o performance ensemble to emerge out of the Chicano movement...
García , Anthony J. The Day Ricardo Falcon Died . In Anthony J. Garcia , Su Teatro : 20 Year Anthology . Denver : El Centro Su Teatro , 1990 . Little Hands Hold the Wind . In Anthony J. , Garcia , Su Teatro : 20 Year Anthology .
Mexican American Theatre: Legacy and Reality
Rosalina Perales is Professor of Drama at the University of Puerto Rico , Río Piedras , and director of the first Drama Department journal series Bambalinas ( 1998 ) . Researcher , historian and theater critic , Perales has studied in ...
A collection of interviews, essays and vaudeville skits from the 1930s to the 1950s all pertaining to Mexican-American theater. Historical studies by Jorge Huerta, Nicolas Kanellos, Tomas Ybarra-Frausto and others;...
Teatro Chicana tells the story of this troupe through chapters featuring the history and present-day story of each of the main actors and writers, as well as excerpts from the group's materials and seven of their original short scripts.
Elizabeth C. Ramírez's study reveals the traditions of Chicanas/Latinas in theatre and performance, showing how Latina/Latino theatre has evolved from its pre-Columbian, Spanish, and Mexican origins to its present prominence within ...
A collection of plays by Chicano authors includes biographies of the playwrights, production histories of the plays, and critical commentary.
This collection contains three of playwright and screenwriter Luis ValdezÕs most important and recognized plays: Zoot Suit, Bandido! and I DonÕt Have to Show You No Stinking Badges.