By the time John Singer Sargent turned thirty, years old in 1886, he already commanded an international reputation in the art world, creating a stream of works for exhibition that people eagerly awaited and discussed at length. Henry, James noted that Sargent's talent offered "the slightly 'uncanny' spectacle" of an artist on the threshold of his career who in fact had nothing more to learn. This book explores how the young American painter in just over a decade jumped from apprenticeship to wide acclaim, how he presented himself and his works, and how he sought to shape public perception of his talent. The book includes illustrations of every painting Sargent exhibited in Paris, London, and New York through 1887.
Uncanny Spectacle: The Public Career of the Young John Singer Sargent
"An examination of how the work of the American painter John Singer Sargent was displayed, collected, and influential in the civic and cultural development of Chicago, Illinois during the late nineteenth and early twentieth centuries"--
Thus the interview reveals that the true marvel here is not the uncanny phenomenon in itself, but that which produces the ... which becomes machinic in and through its production of the spectacle of the uncanny as a marketable good.
Liberzon, Israel, Anthony King, Jennifer Britton, K. Luan Phan, James Abelson, and Stephan Taylor (2007) “Paralimbic and Medial Prefrontal Cortical Involvement in ... Mayer, Jane (2009) The Dark Side, New York: Anchor Books.
the mere physical horror of such a spectacle would in the theatre be a sensation so violent as to overpower the purely tragic ... producing in the spectator a range of uncanny effects including horror, incredulity, shock and revulsion.
" -- SubStance The Acoustic Mirror attempts to do for the sound-track what feminist film theory of the past decade has done for the image-track -- to locate the points at which it is productive of sexual difference.
exhibition in the Tate Gallery Liverpool, brought together significant attention to the discourse on the uncanny, ... elements that contribute to the uncanny spectacle, and how can the uncanny be appropriated as an aesthetic tool?
This book investigates the parallels between mainstream development discourse and colonial discourse as theorized in the work of Homi Bhabha, Gayatri Spivak and Edward Said.
... dance in popular medieval texts has the opportunity to be an uncanny spectacle in itself, and also – as we will ... the uncanny and marvelous spectacles in the tales of the Kölbigk carolers participate in a rhetoric of dance that ...
Stanford, Calif.: Stanford University Press, 2003. De Man, Paul. “Phenomenality andMateriality inKant.”In TheTextual Sublime: Deconstruction and Its Differences. Edited by H. Silverman and G.Aylesworth.