The Heinemann Book of Caribbean Poetry described Kendel Hippolyte as 'perhaps the outstanding Caribbean poet of his generation'. Until now his poetry has only been available in anthologies and slim collections which have been little seen outside St. Lucia. Birthright reveals him as a poet who combines acute intelligence and passion, a barbed wit and lyrical tenderness.
He writes with satirical anger from the perspective of an island marginalised by the international money markets in a prophetic voice whose ancestry is Blake, Whitman and Lawrence, married to the contemporary influences of reggae, rastafarian word-play and a dread cosmology. He writes, too, with an acute control of formal structures, of sound, rhythm and rhyme - there are sonnets and even a villanelle - but like 'Bunny Wailer flailing Apollyon with a single song', his poetry has 'a deepdown spiritual chanting rising upfull-I'. Whilst acknowledging a debt of influence and admiration to his fellow St. Lucian, Derek Walcott, Kendel Hippolyte's poetry has a direct force which is in the best sense a corrective to Walcott's tendency to romanticise the St. Lucian landscape and people.
Dr. Williams discusses his own work and that of such contemporaries as Pound and Eliot and reveals his thoughts on a wide variety of twentieth-century concerns
Reprinted from Selected Poems of Langston Hughes , by Langston Hughes , by permission of Alfred A. Knopf , Inc. “ Dream Deferred ” copyright 1951 by Langston Hughes . Reprinted from The Panther and the Lash : Poems of Our Times ...
Presents a selection of works by the nineteenth-century poet, including "Maud," "In Memoriam," and "Locksley Hall."
For a fuller discussion on the relationship between Harrison's poetry and conceptions of postmodernism and poststructuralism , see Sandie Byrne , H , v . 0 : The Poetry of Tony Harrison ( Manchester : Manchester University Press ...
Richard M. Dunn , Geoffrey Scott and the Berenson Circle : Literary and Aesthetic Life in the Early 20th Century 35. Gary Gautier , Landed Patriarchy in Fielding's Novels : Fictional Landscapes , Fictional Genders 36.
One of Walt Whitman's most loved and greatest poems, Song of Myself is an optimistic and inspirational look at the world.
noting that Duncan's piece “ conveys the quality of H. D.'s artistry , in a tribute made all the more valuable by the authentic continuity between H. D.'s poetry and Duncan's ” ( vii ) . Duncan titles the piece , to which Bloom refers ...
In a note in Les Epaves he tries to dispel any obscene intention, claiming that the poet had simply meant that 'une beaute, d'un caractere a la fois tenebreux et folatre, faisait rever a l'association du rose et du ...
悵秋風,連營畫角,故宮離黍。底事昆侖傾砥柱,九地黃流亂注?聚萬落千村孤兔。天意從來高難問,況人情易老悲難訴,更難浦,送君去。涼生岸柳催殘暑。耿河斜,疏星淡月,斷雲微度。萬里江山知何處?回首對床夜語。雁不到,書成誰與?目盡青天懷今古,肯兒曹恩怨相爾汝!
《陌上桑》一名《艳歌罗敷行》,又名《日出东南隅》,是一篇喜剧性的叙事诗。它写一个名叫秦罗敷的美女在城南隅采桑,人们见了她都爱慕不已,正逢一个“使君”经过,问罗敷愿否跟他同去,罗敷断然拒绝,并将自己的丈夫夸耀了一通。《陌上桑》的母题渊源甚远。