The Colony Room Club was home to Soho's eclectic art community for generations, famously including Francis Bacon. The Colony Room Club was known to the local's as 'Muriel's', after the proprietor Muriel Belcher, of whom Francis Bacon was a great admirer, the artist painted her portrait three times. Muriel would pay Francis ten pounds a week to 'bring in the people you like'. Before long the Colony Room was was welcoming the likes of Dylan Thomas, Louis MacNeice, Charles Laughton, E.M. Forster, Tallulah Bankhead, as well as artists Frank Auerbach Colquohoun and Macbryde, who, like Bacon are represented in the Leeds Art Gallery collection. Opinions of the famous artistic drinking den have ranged and changed. Brian Patten described it as 'a small urinal full of fractious old geezers bitching about each other'. Painter, novelist, and journalist - Molly Parkin (Author Sophie's mother) saw the club as 'a character-building glorious hell-hole. Everyone left their careers at the roadside before clambering the stairs and plunging into questionable behaviour'. A club member since the gift of membership as an 18th birthday present, Sophie Parkin herself intimately describes the club as 'fish tank whose water needed changing'.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...