American-born photographer Levinthal has earned national recognition by creating potent, ironic, and sometimes controversial visions using miniature figures and toys as characters in staged tableaux. Since publishing his first major work in 1977 (Hitler Moves East: A Graphic Chronicle, 1941-43), he has worked with Barbie, blackface memorabilia, toy soldiers, and various modeling figures to explore the icons and stereotypes of popular culture. Levinthal executed his series Modern Romance in the mid-1980s. Echoing the paintings of Edward Hopper and film noir, these are scenes of urban life in dreamy neon-lit color and television blues. Levinthal shows us figures lingering on street corners, entering movie theaters, passing through alleys, conversing in diners, and interacting in confined spaces. He also depicts the impersonal landscape of the city: cop cars on the streets, doorways, and murky bedrooms. Levinthal's lovely and vaguely troubling photographs house a tension of possibilities; with details obscured, they speak of solitude, sexual isolation, and urban anxiety. An illuminating essay by Eugenia Parry opens the book, nicely placing this formative series in both a personal and an artistic context. This is serious art, dealing with fascinating ideas. Highly recommended for contemporary art collections of academic and public libraries. Deborah Miller, Minneapolis--"Library Journal"
Anthologies of photographs are indexed by photographer, subject, and named individuals in portraits.
Douglas Johnson: Southwest Traditions and Modern Icons
The connection between all the rhetoric and all the poetry, between the words of a Black Panther and those of a rock star or a pacifist, between the scars of a pop artist and those of a napalm victim, have haunted and informed the ...
... 空间科学研究所(SSI)封底:美国宇航局(NASA),美国地质勘探局(USGS)第4页:美国宇航局(NASA),M·贾斯丁·威尔金森(M. Justin Wilkinson),德克萨斯州立大学(Texas State University),美国宇航局(NASA)约翰逊航天中心(JSC)工作人员雅各布(Jacobs Contract) ...
Although Evans and Christenberry share many of the same subjects and concerns, there is a dramatic difference to the meaning of their work.
But Lawler is also an old-fashioned "artist's artist," long overdue for the kind of serious reconsideration and recognition that this volume affords.
During the late 1960s and 70s, a paradigm shift occurred within visual culture: photography and the moving image were absorbed into critical art practices. In particular, these mediums were used...
This book presents for the first time a selection of Imes's elegant, formally balanced black-and-white images, recorded over nearly twenty years, of local people, river baptisms, black baseball teams, backyards,...
Describes the federal expeditions Hillers accompanied to the American West
A groundbreaking book, the only volume of first-class reproductions of Lewis Carroll's photographs.Published on the one hundredth anniversary of the death of Charles Lutwidge Dodgson (Lewis Carroll), Reflections in a...