ROMARD is an academic journal devoted to the study and promotion of Medieval and Renaissance drama in Europe. Previously published under the title of Research Opportunities in Renaissance Drama (RORD), the journal has been in publication since 1956. ROMARD is published annually at the University of Western Ontario. Manuscripts are submitted to the Editor, Mario Longtin, via email at [email protected]. For further details, please visit the ROMARD website at www.romard.org. Special Issue: Showcasing Opportunities Co-Edited by Jill Stevenson and Mario Longtin This volume consists of fourteen short essays, all tackling different aspects of drama observed through a variety of disciplines, theoretical perspectives, and/or methodologies. We asked contributors to begin their pieces by introducing a new critical approach, a new methodology, a specific problem in the field, or an operative link between disciplines that fosters productive connections. In some cases, this framing concept introduces a new concept, methodology, or theoretical approach to the field of early drama studies. In other instances, authors invite readers to reconsider an existing topic or theme from a new perspective. We further asked contributors to select one specific example from early drama and to analyze it critically, but briefly, in order to illustrate their framing concept. We encouraged authors to be bold and, in some cases, to leave questions unresolved. Consequently, this special issue of ROMARD aims to advance the study of early drama by capturing research and ideas in the making.
The Ritual Life of Medieval Europe: Papers By and For C. Clifford Flanigan Robert L. A. Clark Pamela Sheingorn, ... With Nils Holger Petersen's piece, “Music, Dramatic Extroversion, and Contemplative Introspection: Hildegard of Bingen's ...
... to Martin Wiggins at: Shakespeare Institute, Mason Croft, Church Street, Stratford-upon-Avon, CV37 6HP, United Kingdom. Unknown Author Arden of Faversham Clwyd Theatr Cymru Emlyn Williams Theatre, Mold, Wales, UK Directed by Terry ...
Another Dozen Medieval French Plays in Modern English Jody Enders. Enders, Jody. “Allegory Plays.” SEL: Studies in English Literature 1500–1900 55.2 (2015): 447–64. ———. “Comically Incorrect.” ROMARD [Research ... Renaissance Drama] 51 (2012): ...
... Plays.” SEL: Studies in English Literature, 1500–1900 55.2 (2015): 447–64. — — —. “Comically Incorrect.” ROMARD [Research Opportunities in Medieval and Renaissance Drama] 51 (2012): 75–82. — — — , ed. A Cultural History of Theatre. Vol. 2: ...
In his monograph on mythopoetics and ritual structure in medieval religious drama, Rainer Warning elaborates on the ... For instance, in some liturgical plays the climax of the Passion occurs at the descensus episode, while the body of ...
... Medieval French Drama Studies', ROMARD, 51 (2012), 61–7. Notable monographs include M. Bouhaïk-Gironès, Les Clercs ... Renaissance Drama, 44:2 (2016), 217–32. For an introduction to francophone scholarship on medieval women and power ...
... Research Opportunities in Renaissance Drama 43 (2004), 38–53. ———. “Doubting Thomas: 'Womans Witnes' and the Towneley ... Medieval English Theatre 37 (2015), 119–33. ———. “'Be ye thus trowing': Medieval Drama and Make-Belief.” In Happé ...
... Shakespeare's Unreformed Fictions (Oxford: Oxford University Press, 2013), 36–38. Among Shakespeare's heroines, the Virgin is most often compared to Hermione. See, for example, Darryll Grantley, “The Winter's Tale and Early Religious ...
... Campaspe , Saphho and Phao by John Lyly , ed . G. K. Hunter and David Bevington , The Revels Plays ( Manchester ... Sappho and Phao , " in Campaspe and Sappho and Phao , by John Lyly , ed . G. K. Hunter and David Bevington ( 1991 ; rpt ...
But please be forewarned that casting a farce will prove more challenging than you might think. Although one needn't necessarily second Susan Morrison by invoking “fecopoetics” as the ultimate medieval habit of thought—yuck!