Point of view is the most important element of story craft for any writer to understand. A story’s point of view is the first thing a reader encounters, whether aware of it or not, and it defines the story. That means the wise writer will learn to control her story’s point of view from word one. Fortunately for wise writers everywhere, author, writing coach, and renowned editor Alida Winternheimer takes a hands-on approach to this behemoth of story craft. In The Story Works Guide to Writing Point of View, she breaks the whole into manageable parts and delves deep, providing loads of examples that make the abstract concrete and the intangible tangible. In each chapter, Alida provides you with exercises designed to guide you to mastery. You’ll come away from reading this book with an understanding of point of view and how it functions in any story, but most importantly, how it functions in your stories."Those of you who agonize over point of view decisions have in front of you the definitive guide to point of view you’ve always wanted. Not only will Alida teach you how to improve your handle on first and third person and every variation between, but you’ll also find that her lessons take some of the fear and pain out of the writing process by helping you understand why to make certain choices, how to avoid common pitfalls in point of view, and how to use your strengths to your advantage. For the other type of writer, those driven by instincts, Alida will educate and inform you. You don’t know what you don’t know, after all. Here’s your master class. A great freedom comes from knowing your options. Even if you continue crafting stories based on your instincts, you’ll now do so with a well of wisdom at your fingertips." - M.G. Herron, Author of The Auriga Project
A fourth type of phasal analysis is offered by Timberlake (1985). Timberlake assumes an interval temporal semantics like Woisetschlaeger, and focuses on ...
In some languages, this elemental opposition surfaces directly, asin the Austronesian (Chamorro: Chung and Timberlake 1985; Bikol: Givón 1984) and certain ...
Justin Timberlake and Janet Jackson were performing during the halftime show when a “wardrobe malfunction” exposed for a fraction of a second the singer's ...
Justin Timberlake and Janet Jackson were performing during the halftime show when a “wardrobe malfunction” exposed for a fraction of a second the singer's ...
... 70, 85,171,231 Thomson, Greg, xix Thomson, R. W, 231, 233 Timberlake, Alan, ... J. M., 225, 235 van Putte, E., 286, 294 Vermant, S., 61,62 Vincent, N., ...
... 'timbol, –Z timber BR 'timble(r), -oz, -(e)rin, -od AM 'timblor, -orz, -(e)rin, ... -s Timberlake BR 'timboleik AM 'timbor,eik timberland BR 'timbaland, ...
... 237 St. George , R. , 38 Stilling , E. , 251 Stonequist , E. , 247 Stopka ... R. , 149 Tidwell , R. , 227 , 230 Timberlake , M. F. , 266 Ting - Toomey ...
... line on Deck D. A baby squeals in the background cacophony ofthe airport. ... spirit in terms of matter, matter in terms ofspirit,” Robert Frost said.
... 30, 31, 32, 34 Durand, D., 49 Dwyer, J. W., 78 E Egan, J., 93 Eisenberg, ... 102 Floyd, K., 85, 89, 91 Forsyth, C. J., 41, 42, 48, 5.1 Frost-Knappman, ...
Journal of Psycholinguistic Research, 4, 331–342. Freedman, D. (2007). Scribble. New York: Knopf Books for Young Readers. Frost, J. (2001).