For more than four centuries, cultural preferences, literary values, critical contexts, and personal tastes have governed readers’ responses to Shakespeare’s sonnets. Early private readers often considered these poems in light of the religious, political, and humanist values by which they lived. Other seventeenth- and eighteenth- century readers, such as stationers and editors, balanced their personal literary preferences against the imagined or actual interests of the literate public to whom they marketed carefully curated editions of the sonnets, often successfully. Whether public or private, however, many disparate sonnet interpretations from the sonnets’ first two centuries in print have been overlooked by modern sonnet scholarship, with its emphasis on narrative and amorous readings of the 1609 sequence. First Readers of Shakespeare’s Sonnets reintroduces many early readings of Shakespeare’s sonnets, arguing that studying the priorities and interpretations of these previous readers expands the modern critical applications of these poems, thereby affording them numerous future applications. This volume draws upon book history, manuscript studies, and editorial theory to recover four lost critical approaches to the sonnets, highlighting early readers’ interests in Shakespeare’s classical adaptations, political applicability, religious themes, and rhetorical skill during the seventeenth and eighteenth centuries.
First Readers of Shakespeare's Sonnets reintroduces many early readings of Shakespeare's sonnets, arguing that studying the priorities and interpretations of these previous readers expands the modern critical applications of these poems, ...
Shakespeare / Text sets new agendas for the study and use of the Shakespearean text.
In that sense , William Jaggard was responsible for two major milestones in Shakespeare's career : he published the first book to use Shakespeare's name as a rubric under which to gather multiple poems , and he was also integrally ...
Faith D. Ackerʼs book First Readers of Shakespeare's Sonnets, 1590–1790 allows us to look over her shoulder as she handles some of the earliest editions of Shakespeareʼs Sonnets in print and manuscript – a vicarious thrill when many of ...
... M. Balizet Playfulness in Shakespearean Adaptations Edited by Marina Gerzic and Aidan Norrie First Readers of Shakespeare's Sonnets, 1590–1790 Faith D. Acker Majesty and the Masses in Shakespeare and Marlowe Western Anti-Monarchism, ...
BATES. He may shew what outward courage he will: but I beleeue, as cold a Night as 'tis, hee could wish himselfe in Thames vp to the Neck; and so I would he were, and I by him, at all aduentures, so we were quit here. KING.
... M. Balizet Playfulness in Shakespearean Adaptations Edited by Marina Gerzic and Aidan Norrie First Readers of Shakespeare's Sonnets, 1590–1790 Faith D. Acker Majesty and the Masses in Shakespeare and Marlowe Western Anti-Monarchism, ...
Routledge Studies in Shakespeare Shakespeare and Girls' Studies Ariane M. Balizet Playfulness in Shakespearean Adaptations Edited by Marina Gerzic and Aidan Norrie First Readers of Shakespeare's Sonnets, 1590–1790 Faith D. Acker Majesty ...
... M. Balizet Playfulness in Shakespearean Adaptations Edited by Marina Gerzic and Aidan Norrie First Readers of Shakespeare's Sonnets, 1590–1790 Faith D. Acker Majesty and the Masses in Shakespeare and Marlowe Western Anti-Monarchism, ...
Shakespeare and Education Emma Smith. on We then asked students to learn by heart the tune of the song, providing them with the recorded version the CD annexed to Ross Duffin's Shakespeare's Songbook.23 They were informed about the ...