This volume presents a fresh look at the military spouses in Shakespeare’s Othello, 1 Henry IV, Julius Caesar, Troilus and Cressida, Macbeth, and Coriolanus, vital to understanding the plays themselves. By analysing the characters as military spouses, we can better understand current dynamics in modern American civilian and military culture as modern American military spouses live through the War on Terror. Shakespeare's Military Spouses and Twenty-First-Century Warfare explains what these plays have to say about the role of military families and cultural constructions of masculinity both in the texts themselves and in modern America. Concerns relevant to today’s military families – domestic violence, PTSD, infertility, the treatment of queer servicemembers, war crimes, and the growing civil-military divide – pervade Shakespeare’s works. These parallels to the contemporary lived experience are brought out through reference to memoirs written by modern-day military spouses, sociological studies of the American armed forces, and reports issued by the Department of Defence. Shakespeare’s military spouses create a discourse that recognizes the role of the military in national defence but criticizes risky or damaging behaviours and norms, promoting the idea of a martial identity that permits military defence without the dangers of toxic masculinity. Meeting at the intersection of Shakespeare Studies, trauma studies, and military studies, this focus on military spouses is a unique and unprecedented resource for academics in these fields, as well as for groups interested in Shakespeare and theatre as a way of thinking through and responding to psychiatric issues and traumatic experiences.
Shakespeare’s Returning Warriors – and Ours takes its primary inspiration from the contemporary U.S. Post-Traumatic Stress Disorder (PTSD) crisis in soldiers transitioning from battlefields back into society.
Bate, Jonathan, ed. (1992) The Romantics on Shakespeare. London: Penguin. Bate, Jonathan. (1997) The Genius of Shakespeare. London: Picador. Bayley, John. (1975) “Time and the Trojans”. Essays in Criticism, 25(1): 55–73. Boethius.
In Renaissance Configurations: Voices/Bodies/ Spaces, 1580–1690, edited by Gordon McMullan, 108–28. Basingstoke: Macmillan Press Ltd. ... Painted Faces on the Renaissance Stage: The Moral Significance of Face-Painting Conventions.
The Shakespearean Roots of Marxism Christian A. Smith. Routledge. Studies. in. Shakespeare. Shakespeare's Sublime Ethos Matter, Stage, Form Jonathan P. A. Sell Shakespeare's Sublime Pathos Person, Audience, Language Jonathan P. A. Sell ...
That sublimating ambiguity has received different names: Rabkin and Jonathan Bate, for example; both appropriated the jargon of physics to refer to it respectively as “complementarity” (Rabkin, 1967, pp. 20–6) and “aspectuality” (Bate, ...
This book presents original material which indicates that Aemilia Lanyer – female writer, feminist, and Shakespeare contemporary – is Shakespeare’s hidden and arguably most significant co-author.
Shakespeare, William. As You Like It. Edited by Juliet Dusinberre. London: Bloomsbury Arden Shakespeare, 2013. Shakespeare, William. ... Stellar, Jennifer E., Amie M. Gordon, Paul K. Piff, Daniel Cordaro, Craig L. Anderson, Yang Bai, ...
For instance, Emma Smith's account of the “first recorded purchaser” of the 1623 Folio implicitly profiles the “self-fashioning” Edward Dering as a fan of the early modern theater, noting that Dering's “account books covering the period ...
The essays in this volume collectively disclose a fascinating genealogy of how Shakespeare became a dynamic presence in factional discourse and explore the "war of words" that has accompanied civil wars and other instances of domestic ...
Routledge Studies in Shakespeare Rasa eory in Shakespearian Tragedies Swapna Koshy Shakespeare's Audiences Edited ... Locke Hart Shakespeare's Sublime Ethos Ma er, Stage, Form Jonathan P. A. Sell Shakespeare's Sublime Pathos Person, ...