Robin Coste Lewis's electrifying collection is a triptych that begins and ends with lyric poems meditating on the roles desire and race play in the construction of the self. In the center of the collection is the title poem, "Voyage of the Sable Venus," an amazing narrative made up entirely of titles of artworks from ancient times to the present-titles that feature or in some way comment on the black female figure in Western art. Bracketed by Lewis's own autobiographical poems, "Voyage" is a tender and shocking meditation on the fragmentary mysteries of stereotype, juxtaposing our names for things with what we actually see and know. A new understanding of biography and the self, this collection questions just where, historically, do ideas about the black female figure truly begin-five hundred years ago, five thousand, or even longer? And what role did art play in this ancient, often heinous story? Here we meet a poet who adores her culture and the beauty to be found within it. Yet she is also a cultural critic alert to the nuances of race and desire-how they define us all, including her own sometimes painful history. Lewis's book is a thrilling aesthetic anthem to the complexity of race-a full embrace of its pleasure and horror, in equal parts.
... Alison Meyers, Liz Miller, Jerome Murphy, Margaret Musgrove, Taura Musgrove, Alondra Nelson, Maggie Nelson, Marilyn Nelson, ... David Thorne, lê thidiem thúy, Lynne Tillman, Jennifer Tseng, Steve Turner, Wendy S. Walters, Arisa 163.
Honored as a "Best Book of 2014" by Library Journal NPR.org writes: “In his second collection, The New Testament, Brown treats disease and love and lust between men, with a gentle touch, returning again and again to the stories of the ...
The final installments of 100 Plays for the First Hundred Days clarify how Parks's performance of slowness distorts the pace of time authorized by the clock and the calendar and how the weight of Rep & Rev builds up to its unique ...
The angels have hired a private eye who rubs his crotch whenever I swipe my credit card. ... How should I believe when the angels wear overalls and leer at my ugly feet? ... My heart is heavy, but they do not seem to care.
This National Book Award–winning volume presents nearly forty years of the renowned poet’s work.
"This chapbook by the poet laureate of Los Angeles offers a lyrical ode to the black communities of Walden Pond"--
We first met Avery in two of the stories featured in Dana Johnson's award–winning collection Break Any Woman Down.
With exuberance, grit, and sly tenderness, here is a family saga; an origin story; a romance; a narrative of two nations and the people who leave one home to grasp at another.
These poems are engaged in the work of recovery, making visible what is often intentionally erased: the movement of domestic workers on a weekday morning in Brooklyn; a veteran of the war in Afghanistan, fondly sharing photos of his dog; ...
She'd bring the soldier, captain, grunt over to her place and turn on Apocalypse Now, The Deer Hunter, Platoon and watch the grunt's reaction that was so very dear to her. Her first line of questioning would be, So which film gets you ...