The first essay collection to examine emotion across the span of Romantic literature and thought, in light of new scholarship.
Romanticism and the Emotions
Brown defined emotion rather vaguely. He wrote, “Every person understands what is meant by an emotion, at least as well, as he understands what is meant by an intellectual power. ... Perhaps if any definition of them be possible, ...
Romanticism, History, Historicism: Essays on an Orthodoxy. London: Routledge. ... Romantic Writing and the Empire of Signs: Periodical Culture and Post-Napoleonic Authorship. Charlottesville: University of Virginia Press. Favret, Mary.
This short book, informed by both historical and cutting edge philosophy, psychology, and neuroscience, combines a new theory of romantic love with entertaining anecdotes from real life and accessible explanations of the neuroscience ...
See McInnes, Wollstonecraft's Ghost, 160–68. 26. M. Shelley, Letters, 2:185. 27. Sachs, Poetics of Decline, 117, 16, 93. 28. See Crystal Lake's account of the way in which the novel's progressive, feminist vision is informed by a ...
Yet it is not only in terms of their objectives that Coleridge distinguishes between poetry and philosophy: a further difference – at the level of form – is inescapable. Coleridge attempts to incorporate the opposition between prose and ...
Collected Letters of Samuel Taylor Coleridge. Edited by Earl Griggs. 6 vols. Oxford: Clarendon, 1956–71. — — —.The Friend. Edited by Barbara Rooke. 2 vols. Vol. 4 of The Collected Works of Samuel Taylor Coleridge.
Cited in McLoughlin, Authoring War, 14. Charles Dickens, A Child's History of England, Vol 1: England from the Ancient Times to the Death of King John (London: Charles Bradbury and Evans, 1852), Chapter 1. The line may also possibly ...
Claude Rawson (Oxford: Blackwell, 1984), 56–71; 57. 31 “The Mourning Bride (1697),” in The Complete Plays of William Congreve, ed. Herbert Davis (Chicago: University of Chicago Press, 1967), 317-88; ...
A wonderful emotive aura clouds the university campus. In this book, I have attempted to bring together the glossy imagery of the collective emotions, thoughts, and experiences.