Frederick Burwick reveals how the most volatile developments in British drama from the 1790s to 1830s took place in the industrial provinces.
Frederick Burwick reveals how the most volatile developments in British drama from the 1790s to 1830s took place in the industrial provinces.
Burwick, British Drama of the Industrial Revolution, chapter 4, especially 116–17. 35. Dickens, Hard Times, 133. 36. Dickens, Hard Times, 131. 37. Dickens, Hard Times, 132. 38. Dickens, Hard Times, 313. 39.
children were all male, for Mary Davies's husband was a coal-miner, who, like every collier at his pit, needed a boy helper. The instrumental dimension of the adoption has to be viewed through the probable bargaining between Mary and ...
Mrs Denvil adapted Ela for the Pavilion Theatre, together with Emily Fitzormond; or, The Deserted One (1841–2), another penny blood published by Prest. According to the Preface of the novel version of Emily Fitzormond, ...
William Poel's production of Everyman in 1901 probably provided some inspiration, but the long list includes Laurence ... After the First World War came E. Temple Thurston's David and Jonathan (1918) and the same author's Judas Iscariot ...
Re-assembling a body of print and performance concerned with the misfortunes of the middling sort, The Making of British Bourgeois Tragedy argues that these works imagined a particularly modern sort of affliction, an 'ordinary suffering' ...
... 214 pseudonym of Thomas Moore, 372 Brown, William The Spirit of the Times, 448 Brummell, George Bryan 'Beau', ... 206 Brunonian medicine, 39 Brunswick, Charles William Ferdinand, Duke of, 298 Brunswick, Frederick William, Duke of, ...
... Europe and India.13 The first significant essay that Jones wrote after his arrival in India (and published in the first volume of 1786) was “On the Gods of Greece, Italy and India.” This essay – along with two other essays, ...
Yet, as contributors to this volume emphasize, early melodramas also placed sound at center stage, through their distinctive—and often disconcerting—alternations between speech and music.
Two hundred years after the massacre of protestors in Manchester, known as Peterloo, distinguished scholars of Romantic-era literature join together in this commemorative volume to assess the implications of the violence.