The Cambridge Companion to the Beats offers an in-depth overview of one of the most innovative and popular literary periods in America, the Beat era. The Beats were a literary and cultural phenomenon originating in New York City in the 1940s that reached worldwide significance. Although its most well-known figures are Jack Kerouac, Allen Ginsberg, and William S. Burroughs, the Beat movement radiates out to encompass a rich diversity of figures and texts that merit further study. Consummate innovators, the Beats had a profound effect not only on the direction of American literature, but also on models of socio-political critique that would become more widespread in the 1960s and beyond. Bringing together the most influential Beat scholars writing today, this Companion provides a comprehensive exploration of the Beat movement, asking critical questions about its associated figures and arguing for their importance to postwar American letters.
Kerouac. Ginsberg. Burroughs. These are the most famous names of the Beat Generation, but in fact they were only the front line of a much more wide-ranging literary and cultural movement.
... Edited by Anthony Pople The Cambridge Companion to Berlioz Edited by Peter Bloom The Cambridge Companion to Brahms Edited by Michael Musgrave The Cambridge Companion to Benjamin Britten Edited by Mervyn Cooke The Cambridge Companion ...
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10 11 NOTES 1 In The Collected Works of Ralph Waldo Emerson, vol. IX: Poems: A Variorum Edition, eds. Albert J von Frank and Thomas Wortham (Cambridge, MA: The Belknap Press of Harvard University Press, 2011): 7: 111.
In this volume, critics and authors of fantasy look at its history since the Enlightenment, introduce readers to some of the different codes for the reading and understanding of fantasy, and examine some of the many varieties and subgenres ...
Their own music, and how it operates, is not, however, always seen as valid in its own right. This book provides an overview of both these genres, which worked together to provide an expression of twentieth-century black US experience.
Jazz and the White Americans: The Acceptanceof a NewArt Form,University ofChicago Press Leonard, Susan, M.1988. 'An Introduction to Black Participation in the Early Recording Era, 1890–1920', Annual Reviewof Jazz Studies 4 (1988), ...
An exploration of rhythm and the richness of musical time from the perspective of performers, composers, analysts, and listeners.
In A History of the American Theatre from Its Origins to 1832, he describes the success of his translations from the German Romantic playwright Kotzebue's Gothic dramas. His own verse drama Fountainville Abbey (1795) was based on Ann ...
For more about the origins of contemporary life writing criticism, see Julie Rak, “Canadian Auto/biography: Life Writing, Biography, and Memoir,” in The Oxford Handbook of Canadian Literature, ed. Cynthia Sugars (Oxford: Oxford ...