101 Shay and Thompson (Purcell Manuscripts, 253—4) note that some of the instrumental movements in Lbl Add. 31449 are 'suspect' and in Lcm 862, while London A consistently allowed two pages for copying the act tunes, none of the music ...
3 susan lewis hammond, Editing Music in Early Modern Germany (aldershot: ashgate, 2007). 4 other important studies of early editors include giulio M. ongaro, 'venetian printed anthologies of Music in the 1560s and the role of the ...
Bennett, J., 2012: 'Constraint, collaboration and creativity in popular songwriting teams', in D. Collins, ed., The Act of Musical Composition: Studies in the Creative Process (Farnham: Ashgate), pp. 139–69. Bently, L. and B. Sherman, ...
... Music Jeremy Dibble The Pursuit of High Culture: John Ella and Chamber Music in Victorian London Christina Bashford Thomas Tallis and his Music in Victorian England Suzanne Cole The Consort Music of William Lawes, 1602–1645 John Cunningham ...
114 Minear, Reverberating Song in Shakespeare and Milton, 34. 115 Richard Hooker, Of the Laws of Ecclesiasticall Politie: The Fift Booke (London: printed by John Windet, 1597), sig.H2r. 116 As quoted (and emphasised) by Minear, ...
BD BUCEM D&M ECCO EEBO ODNB GMO LS 1 LS 2 MB Monthly Mask PriceHP PriceMRT RRMBE Wit and Mirth (1699) Wit and Mirth (1700) Philip H. Highfill Jr., Kalman A. Burnim, and Edward A. Langhans, A Biographical Dictionary of Actors, Actresses, ...
Reveals how the musical benefit allowed musicians, composers, and audiences to engage in new professional, financial, and artistic contexts.
... 'from jealous eyes away to fly'.81 The final Johnson songs are the two from The Tempest: When I published Shakespeare's Songbook in 2004, I presented the settings by Johnson (or whomever) with a caveat that they were late, ...
Some British Collectors of Music, c.1600–1960 (Cambridge: Cambridge University Press, 1963). King, Thomas a., The Gendering of Men, 1600–1750, vol. 1: The English Phallus (Madison: University of Wisconsin Press, 2004).
London play-house tunes occupy an important portion of Atkinson's manuscript, including 'How blest are shepherds' from Purcell's King Arthur (1691); 'Though you make no return to my passion' from Purcell's The Maid's Last Prayer (1693); ...
Music, Dance, and Drama in Early Modern English Schools is the first book to systematically analyze the role that the performing arts played in English schools after the Reformation.