In 1965, the first Asian American theatre company, the East West players, was founded by a group of actors who wanted to find better opportunities in the acting industry. Forty years later, Asian American theatre is one of the fastest-growing theatre sectors with over thirty active theatre companies and numerous award-winning artists such as Frank Chin, Jessica Hagedorn, Ping Chong, David Henry Hwang, Philip Kan Gotanda, Velina Hasu, and B. D. Wong. Based on over seventy interviews, this 2006 book surveys the history of Asian American theatre from 1965 to 2005 with focus on actors, playwrights, companies, audiences, and communities. Emphasizing historical contexts, Esther Kim Lee examines how issues of cultural nationalism, interculturalism, and identity politics affect a racially defined theatre. Addressing issues ranging from actor's activism to Asian Diaspora, the book documents how Asian American theatre has become an indispensable part of American culture.
This book captures the 30-year history of the East West Players (EWP), tracing the company's representation of Asian Americans through the complex social and cultural changes of the past three decades.
DOI: 10.4324/9781003203285-12 Each of these chapters has used a different historical milestone to help introduce ... These milestones serve as important starting places for the appreciation and study of Asian American theatre.
... Billy rose Theatre Collection, new york Public Library for the Performing arts, new york: 1996, 3 videocassettes. The Great Helmsman. 2007: The Best Ten-Minute Plays for Three or More Actors, edited by Lawrence harbison ...
With the full acknowledgment of their talent and potential, I present the selected seven plays not to indicate a limit but to open the possibility of many more productions and publications to follow in the years to come. the Seven playS ...
Historical Dictionary of Asian American Literature and Theater, Second Edition contains a chronology, an introduction, and an extensive bibliography.
18 See , e.g. , Petersen ( 1966 ) ; and " Success Story of One Minority in the U.S. " ( 1966 ) . 19 Fora more detailed discussion of the contradictions inherent in model minority discourse , as well as the measures by which " success ...
For studies on “oriental” musicals in Britain, see Claire Mabilate, Orientalism and Representations of Music in the ... and Brian Singleton, Oscar Asche, Orientalism, and British Musical Comedy (Westport, CT: Praeger Publishers, 2004).
An exciting new work on how black and Asian racial structures were woven together within US theatrical practices in the run up to the Second World War, Steen uses this history to model how we might use performance histories to more ...
In her groundbreaking book, Performing Asian America, Josephine Lee meets a formidable challenge.
Uno provides a general introduction for the collection and introductory comments for each of six plays. An appendix lists some 200 plays of Asian American women, including their production histories....