The interwar period is often described as the 'Golden Age' of detective fiction, but many other kinds of crime writing, both factual and fictional, were also widely read during these years. Crime Writing in Interwar Britain: Fact and Fiction in the Golden Age considers some of this neglected material in order to provide a richer and more complex view of how crime and criminality were understood between the wars. A number of the authors discussed, including Dorothy L. Sayers, Marie Belloc Lowndes and F. Tennyson Jesse, wrote about crime in essays, book reviews, newspaper articles and works of popular criminology, as well as in novels and short stories. Placing debates about detective fiction in the context of this largely forgotten but rich and diverse culture of writing about crime will give a unique new picture of how criminality and the legal process were considered at this time.
1940s (2006), The Second World War in Contemporary British Fiction: Secret Histories (2011) and Crime Writing in Interwar Britain: Fact and Fiction in the Golden Age (2017). Kate Watson researches in the areas of crime fiction, ...
It begins by examining the ways in which press coverage of crime and detective fiction coexisted within the interwar cultural field, and then applies this to the 1926 novel Clouds of Witness, in which Dorothy L. Sayers borrows ...
" Most importantly, this volume demonstrates how popular women writers of the last three decades have reconceptualized what it means to be a female detective.
... 139, 145 Mortimer, John, 158 Murder on Christmas Eve, 139 Murder Under the Christmas Tree, 139 N Neuhaus, Volker, ... 96, 97, 116 Peters, Ellis 'The Trinity Cat', 150 Pullman, Philip, 170, 175 R Rankin, Ian 'Cinders', 142 Rendell, ...
Featuring sixteen contributions from recognized authorities in their respective fields, this superb new mapping of women's writing ranges from feminine middlebrow novels to Virginia Woolf's modernist aesthetics, from women's literary ...
Scaggs, J. (2005) Crime Fiction, London & New York: Routledge. Stewart, V. (2017) Crime Writing in Interwar Britain: Fact and fiction in the golden age, Cambridge: Cambridge University Press. Thomas, R.R. (2003) Detective Fiction and ...
The True Crime Files of Sir Arthur Conan Doyle. Berkley, 2001. House, Jack. Square Mile of Murder. Chambers, 1961. Hunt, Peter. Oscar Slater: The Great Suspect. Carroll, 1951. Nordon, Pierre. Conan Doyle. 1964. Trans. Frances Partridge.
53 Shani D'Cruze, 'Intimacy, Professionalism and Domestic Homicide in Interwar Britain: The Case of Buck Ruxton', Women's History Review, 16/5 (2007), 701–22; Victoria Stewart, Crime Writing in Interwar Britain, Fact and Fiction ...
a pleasure that consists in the voluptuous pleasure of causing the other to suffer'.113 At the start of the narrative, Neville has already replaced Audrey by remarrying and has no need of the money he will inherit by the crime: he is in ...
Crime Writing in Interwar Britain: Fact and Fiction in the Golden Age. Cambridge: Cambridge University Press, 2017. Taylor, Elinor. The Popular Front Novel in Britain, 1934–1940. Leiden: Brill, 2018. Thompson, E.P. 'Socialism and the ...