Offers a new, interdisciplinary account of early modern drama through the lens of playing and playgoing.
Hobbs ofMalmsbury. London: Printed by T. Newcomb for John Holden at the Anchor in the NewExchange, 1651. [i.e., 1650]. Hoeniger, F. David. Medicine and Shakespeare in the English Renaissance. Newark; London; Cranbury, NJ: University of ...
In more specific ways than Dawson allows , however , Othello's handkerchief reminds us about the material and institutional ... referring to an imagined performance of the last scene of the play , “ could hardly be more present ” ( p .
The Book of the Play is a collection of essays that examines early modern drama in the context of book history. Focusing on the publication, marketing, and readership of plays...
... facilitated through affective resonance the generic success of Renaissance revenge plays, Chapter 3 turns to a rather different encounter in which spectators to Thomas Heywood's famous domestic tragedy, A Woman Killed with Kindness, ...
"Shakespeare / Play asks: what is (a) play? How do Shakespeare's plays engage with, and represent, early modern modes of play - from jests, games, and toys, to music, spectacle, movement, animal-baiting and dance?
And within some collections of plays, all the stage-orations for all the plays would be printed at the beginning or end ... An Index of Characters in Early Modern English Drama: Printed Plays, 1500–1600 (Cambridge: Cambridge UP, 1998).
Sedgwick also traces how susceptibility to meteorological influence provokes a consideration of new modes of being and new forms of relation in Proust's work . See “ The Weather in Proust , ” in The Weather in Proust , ed .
1976); T. Tanner, Adultery in the Novel: Contract and Transgression (Baltimore, 1979); and N. WTiite and N. Segal, eds, Scarlet Letters: Fictions ofAdultery fromAntiquity tothe 1990s (London, 1997). 27.A.Sinclair, The Deceived Husband: ...
5 John Orrell , The Quest for Shakespeare's Globe , Cambridge 1982 , p.136 , allows 1,848 square feet for the Globe yard , almost exactly the Fortune space , but for this calculation he ignores the area flanking the stage platform .
Iniquity” is named in Dekker's Old Fortunatus (1599; C1r), though perhaps recalling Richard's lines. The OED does not recognize the use of ... Richard Brathwait, The English Gentlewoman (London: B. Alsop and T. Fawcet, 1631), 53–54. 27.