This second volume of The Cambridge History of the Gothic provides a rigorous account of the Gothic in British, American and Continental European culture, from the Romantic period through to the Victorian fin de siècle. Here, leading scholars in the fields of literature, theatre, architecture and the history of science and popular entertainment explore the Gothic in its numerous interdisciplinary forms and guises, as well as across a range of different international contexts. As much a cultural history of the Gothic in this period as an account of the ways in which the Gothic mode has participated in the formative historical events of modernity, the volume offers fresh perspectives on familiar themes while also drawing new critical attention to a range of hitherto overlooked concerns. From Romanticism, to Penny Bloods, Dickens and even the railway system, the volume provides a compelling and comprehensive study of nineteenth-century Gothic culture.
This first volume of The Cambridge History of the Gothic provides a rigorous account of the Gothic in Western civilisation, from the Goths' sacking of Rome in 410 AD through to its manifestations in British and European culture of the long ...
Pain also offered some designs in Langleyʼs Classical-Gothic style, but of his own inventions. ... Indeed, all four designs on Plate 80 feature square- headed doors, upon which token tracery details are added.
more 'New media are wonderfully creepy', writes Wendy Hui Kyong Chun.19 With this statement Chun is referencing the ... Chun's focus is on the way in which digital technologies become 'habitual', producing compulsive update cultures 'in ...
This series offers a comprehensive history of the Gothic, from its earliest manifestations in European history to the present day.
In A History of the American Theatre from Its Origins to 1832, he describes the success of his translations from the German Romantic playwright Kotzebue's Gothic dramas. His own verse drama Fountainville Abbey (1795) was based on Ann ...
In this volume, fourteen world-class experts on the Gothic provide thorough and revealing accounts of this haunting-to-horrifying type of fiction from the 1760s (the decade of The Castle of Otranto, the first so-called 'Gothic story') to ...
Butler, Octavia E.,Adulthood Rites (New York;Warner, 1989). _____,Dawn (New York:Warner, 1987). _____,Fledgling (New York: Seven Stories, 2005). _____,Imago (New York:Warner, 1989). _____,Parable of the Sower (New York: Four Walls Eight ...
The white suburban home is haunted by a child's toy which gradually comes to life: a “bird doll I had bought for Sarah in ... is ostentatiously washed out in “blank white” (421): The “interior was done in soothing shades of white corn, ...
This is the first full-length study to examine the links between high Romantic literature and what has often been thought of as a merely popular genre - the Gothic.
Provides a survey of literary gothicism from its origins in Renaissance revenge tragedy, through eighteenth century novels and plays, to nineteenth and twentieth century film and fiction.