Benito Mussolini has persistently been described as an 'actor' – and also as a master of illusions. In her vividly narrated account of the Italian dictator's relationship with the theatre, Patricia Gaborik discards any metaphorical notions of Il Duce as a performer and instead tells the story of his life as literal spectator, critic, impresario, dramatist and censor of the stage. Discussing the ways in which the autarch's personal tastes and convictions shaped, in fascist Italy, theatrical programming, she explores Mussolini's most significant dramatic influences, his association with important figures such as Luigi Pirandello, Gabriele D'Annunzio and George Bernard Shaw, his oversight of stage censorship, and his forays into playwriting. By focusing on its subject's manoeuvres in the theatre, and manipulation of theatrical ideas, this consistently illuminating book transforms our understandings of fascism as a whole. It will have strong appeal to readers in both theatre studies and modern Italian history.
A pioneering study by Philip Timberlake, long ignored by mainstream scholarship, revealed the huge difference in the number of lines with feminine endings ...
Questioning the lengths people should go in the name of a cause, Timberlake Wertenbaker's Winter Hill premiered at the Octagon Theatre, Bolton, in May 2017.
The Love of the Nightingale
Based on a historical incident.
Karen Cunningham looks at contemporary records of three prominent cases in order to demonstrate the degree to which the imagination was used to prove treason: the 1542 attainder of Katherine Howard, fifth wife of Henry VIII, charged with ...
This classic collection contains a new essay by Alan Bennett, besides the original introductions to A Private Function, Prick Up Your Ears and The Madness of King George.
When Lucy, an ordinary teenager, feels ignored by her family, she brings her childhood fantasy friend Zara back to life, only to have her materialize and bring with her a dream family for Lucy
Its greatest pleasure comes from Mr Plummer's taking you step by step through Lear's enormous changes in temperament and insight, and justifying every turn on both an intellectual and gut level. I have never seen an audience so ...
Cast: Matte Osian (Richard), Barry Smith (Bolingbroke), Frank O'Donnell (Gaunt), Kadina de Elejalde (Queen), Robert F. McCafferty (Northumberland), David W. Frank (York). Running time 93 minutes. An independent film shot on a disused ...
This edition also includes useful background information including the Potter family tree and a timeline of events from the Wizarding World prior to the beginning of Harry Potter and the Cursed Child.