Video Art Theory: A Comparative Approach demonstrates how video art functions on the basis of a comparative media approach, providing a crucial understanding of video as a medium in contemporary art and of the visual mediations we encounter in daily life. A critical investigation of the visual media and selected video artworks which contributes to the understanding of video as a medium in contemporary art The only study specifically devoted to theorizing the medium of video from the perspective of prominent characteristics which result from how video works deal with time, space, representation, and narrative The text has emerged out of the author’s own lectures and seminars on video art Offers a comparative approach which students find especially useful, offering new perspectives
If we subscribe to the Durkheimian idea that society is memory, significant changes in the available technologies of memory must necessarily also affect the definition of the social itself—including the sociality of recent art forms or ...
Digital creativity is boundless. Art practitioners and scholars continue to explore what technology has to offer and practice-based research is redefining their disciplines.
OBJECT RELATIONS THEORY Child psychologist Melanie Klein's Object Relations Theory positions the child's relationship to the mother's breast as central to childhood development . This puts Kleinian THEORY at odds with traditional ...
Andreas Treske describes and theorizes these objects formerly named video, their forms, behaviours and properties.
"Brings together historians, philosophers, critics, curators, artists, and educators to ask how art is and should be taught.
This is a book about video art, and about sound art.
... video performance that in a post-conceptual manner combines heavy theoretical discourse with video art language. On the formal level visual text (video) and language (i.e., spoken text and subtitles) function as three parallel and ...
Questions concerning the epistemic potential of art can be found throughout the centuries up until the present day. However, these are not questions of art alone, but of the representational value of images in general.
Through their use, the artist will find an infinite number of solutions. Artists also may use the book to create a trompe-l'oeil effect in graffiti art or the illusion of volume and depth on the computer.
Explanation of optical art, an artistic development in the 1960s, and how it achieved its singular effects