Fully revised, updated, and extended, the fifth edition of Hollywood’s America provides an important compilation of interpretive essays and primary documents that allows students to read films as cultural artifacts within the contexts of actual past events. A new edition of this classic textbook, which ties movies into the broader narrative of US and film history This fifth edition contains nine new chapters, with a greater overall emphasis on recent film history, and new primary source documents which are unavailable online Entries range from the first experiments with motion pictures all the way to the present day Well-organized within a chronological framework with thematic treatments to provide a valuable resource for students of the history of American film
However, the fact that films are made by a relatively small number of people, who, as the authors demonstrate, tend to share a common outlook, means that, over time, motion pictures have had an undeniable impact on the beliefs, lifestyles, ...
Placing the film industry in the context of American society, this book points out that Hollywood's creative leadership impacts the larger society even as it is influenced by that society and demonstrates how poststructuralist theories fail ...
Splendid vintage photographs from the renowned collections of the Hollywood Heritage Museum and Bison Archives illustrate Hollywood's businesses, homes, and residents during the silent-film era and immediately after, as the Great Depression ...
Stam, Robert. Introduction to Literature and Film: A Guide to the Theory and Practice of Film Adaptation, ed. Robert Stam and Alessandra Raengo. Oxford: Blackwell, 2004. Sterne, Stewart. No Tricks in My Pocket: Paul Newman Directs.
The challenge of making the great American historical film has attracted some of our finest talents: D. W. Griffith, John Ford, Robert Altman, Francis Ford Coppola, Martin Scorsese, Oliver Stone,...
But out of sight, they were quickly forgotten, or worse, ignored back home, though as a group they produced more than 200 films in 30 years.This is the story of those films--illustrated with 60 rarely seen stills--and the filmmakers who ...
From George B. Seitz’s 1925 The Vanishing American to Rick Schroder’s 2004 Black Cloud, these 36 reviews by prominent scholars of American Indian Studies are accessible, personal, intimate, and oftentimes autobiographic.
In Hollywood’s Artists, Virginia Wright Wexman offers a groundbreaking history of how movie directors became cinematic auteurs that reveals and pinpoints the influence of the Directors Guild of America (DGA).
He argues that the story of Hollywood’s global cinemas is not a simple narrative of cultural and industrial indoctrination and colonization.
As a few media scholars have indicated, this “naming” process is at the heart of the talk-show formats, from Oprah to the more fabricated Jerry Springer. Indeed, the outrageous topics and situations on the talk shows demonstrate Lacan's ...