The Routledge Companion to Directors' Shakespeare is a major collaborative book about plays in performance. Thirty authoritative accounts describe in illuminating detail how some of theatre’s most talented directors have brought Shakespeare’s texts to the stage. Each chapter has a revealing story to tell as it explores a new and revitalising approach to the most familiar works in the English language. A must-have work of reference for students of both Shakespeare and theatre, this book presents some of the most acclaimed productions of the last hundred years in a variety of cultural and political contexts. Each entry describes a director’s own theatrical vision, and methods of rehearsal and production. These studies chart the extraordinary feats of interpretation and innovation that have given Shakespeare’s plays enduring life in the theatre. Notable entries include: Ingmar Bergman * Peter Brook * Declan Donnellan * Tyrone Guthrie * Peter Hall * Fritz Kortner * Robert Lepage * Joan Littlewood * Ninagawa Yukio * Joseph Papp * Roger Planchon * Max Reinhardt * Giorgio Strehler * Deborah Warner * Orson Welles * Franco Zeffirelli
This volume explores the techniques, interpretive approaches and performance styles of the following actors: Simon Russell Beale, Sinead Cusack, Judi Dench, Kate Duchene, Colm Feore, Mariah Gale, John Harrell, Greg Hicks, Rory Kinnear, ...
This book will also inspire students studying directing as part of a theatre programme, and scholars, performers and lovers of Shakespeare everywhere.
In synthesizing the elements of Commedia, this book introduces the history of the Sartori mask studio; presents a comparison between Gozzi and Goldoni’s complicated and adversarial approaches to theatre; invites discussions on ...
Theatre Criticism; Mary Z. Maher, Modern Hamlets and Their Soliloquies; George Baker, The Way to Wexford; Marvin Rosenberg, The Masks of Hamlet; Jonathan Croall, Performing King Lear. Derek Jacobi 1977 – Stanley Wells, Great Shakespeare ...
The word dozoku (土俗) might be translated into English as “folk,” “local,” or “local customs.” However, the Japanese language already has the word minzoku (民俗), which has a nuance closer to “folk,” and a homonym minzoku (民族), ...
When the Little American Girl rolls about on the floor with legs splayed she is hardly engaging in the traditional actions and comportment of a ballerina. The Horse's dance also disrupts ideas of dignity and virtuosity on the stage.
This section explores performances that prefer the space of the kitchen, classroom, club, or field. This book engages a wide audience of scholars, students, and theatre practitioners with its unprecedented breadth.
7 Michael Kustow (2005) Peter Brook: A Biography, London, Bloomsbury, p. 55. 8 Jan Kott (1974) Shakespeare Our Contemporary, Norton and Co., New York, p. 152. 9 Peter Hall (2000) Making an Exhibition of Myself, Oberon, p. 206.
Shakespeare / Text sets new agendas for the study and use of the Shakespearean text.
... THE ROUTLEDGE HANDBOOK OF LITERARY TRANSLINGUALISM Edited by Steven G. Kellman and Natasha Lvovich THE ROUTLEDGE HANDBOOK OF STAR TREK Edited by Leimar Garcia-Siino, Sabrina Mittermeier, and Stefan Rabitsch THE ROUTLEDGE HANDBOOK OF ...