This eye-opening study draws attention to the largely neglected form of the early modern prologue. Reading the prologue in performed as well as printed contexts, Douglas Bruster and Robert Weimann take us beyond concepts of stability and autonomy in dramatic beginnings to reveal the crucial cultural functions performed by the prologue in Elizabethan England. While its most basic task is to seize the attention of a noisy audience, the prologue's more significant threshold position is used to usher spectators and actors through a rite of passage. Engaging competing claims, expectations and offerings, the prologue introduces, authorizes and, critically, straddles the worlds of the actual theatrical event and the 'counterfeit' world on stage. In this way, prologues occupy a unique and powerful position between two orders of cultural practice and perception. Close readings of prologues by Shakespeare and his contemporaries, including Marlowe, Peele and Lyly, demonstrate the prologue's role in representing both the world in the play and playing in the world. Through their detailed examination of this remarkable form and its functions, the authors provide a fascinating perspective on early modern drama, a perspective that enriches our knowledge of the plays' socio-cultural context and their mode of theatrical address and action.
This book carefully unpacks the individual words, phrases and sentences of Hamlet's soliloquy in order to reveal how and why it has achieved its remarkable hold on our culture.
Palmer, Daryl W. Writing Russia in the Age of Shakespeare. Burlington, VT: Ashgate, 2004. Parker, Patricia. 'Shakespeare and Rhetoric: “Dilation” and “Delation” in Othello'. In Shakespeare and the Question of Theory, edited by Patricia ...
About the Book Books on British and Irish Theatre mainly contain the full scripts of plays that were written in Britain and Ireland.
Prologues, Epilogues, Curtain-Raisers, and Afterpieces: The Rest of the Eighteenth-Century London Stage presents a fresh analysis of the complete theater evening that was available to playhouse audiences from the Restoration to the early ...
Text and Theatre Sos Haugaard Niels Bugge Hansen, Søs Haugaard ... His use of Prologue / Chorus in Henry V ( c.1599 ) is quite extraordinary for his history plays , providing an ongoing commentary , and metacommentary , continuously ...
Metamorphosen: englische Literatur und die Tradition : Festschrift für Wolfgang Riehle
An account is also given of the staging and performance history of the plays and their critical history and significance. With a wealth of helpful and incisive commentary this is the finest edition of the plays available.
This volume considers three powerful ideological forces in early modern England: money, magic and the theatre. With the authorization of usury, financial value was developing into an independent, effective power.
About the Book Books on British and Irish Theatre mainly contain the full scripts of plays that were written in Britain and Ireland.
Shakespeare-Jahrbuch