This is a comprehensive introduction to the ways in which the Bible has been used and represented in mainstream cinema. Adele Reinhartz considers the pervasive use of the Bible in feature films, and the medium of film as part of the Bible’s reception history. The book examines how films draw on the Old and New Testament and the figure of Jesus Christ in various direct and indirect ways to develop their plots, characters, and themes. As well as movies that set out explicitly to retell biblical stories in their ancient context, it explores the ways in which contemporary, fictional feature films make use of biblical narrative. Topics covered include: how filmmakers make use of scripture to address and reflect their own time and place. the Bible as a vehicle through which films can address social and political issues, reflect human experiences and emotions, explore existential issues such as evil and death, and express themes such as destruction and redemption. the role of the Bible as a source of ethics and morality, and how this connection is both perpetuated and undermined in a range of contemporary Hollywood films. films that create an experience of transcendence, and the ways in which the Bible figures in that experience. Reinhartz offers insightful analysis of numerous films including The Ten Commandments and The Shawshank Redemption, paying attention to visual and aural elements as well as plot, character, and dialogue. Students will find this an invaluable guide to a growing field.
This book is a veritable cornucopian feast for anyone interested in film. From case studies of key directors to discussions of cinematic classics, from explorations of time-honoured genres to investigations...
How do films appropriate, reconfigure, and transform biblical texts? How does a film's treatment of biblical texts help interpret and illuminate the film? This book examines various types of interplay between film and the Bible.
It's an ark. He's building an ark,” then looks away, it agitates Joe 'Sky Captain' Sullivan: “You honestly think ... and his students discover an ancient clay jar containing “the last Dead Sea Scroll,” an “unabridged edition” of the ...
As the story of Jesus continues to capture the imagination of filmmakers and moviegoers, he remains as significant a cultural figure today as he was 2000 years ago.
Works cited Atkinson, Michael, and Laurel Shifrin (2008), Flickipedia: Perfect Films for Every Occasion, Holiday, Mood, Ordeal, and Whim, Chicago: Independent Publishers Group. Beck, Jerry (2005), Animated Movie Guide: The Ultimate ...
Of Bread, Blood, and the Hunger Games: Critical Essays on the Suzanne Collins Trilogy. Jefferson: mcFarland. ... Pages 610–17 in Critical Dictionary of Film and Television Theory. edited by roberta e. Pearson and Philip simpson. london: ...
An intertextual examination of popular films and scripture.
Reprinted from Biblical Interpretation Volume 14,1-2 J.Cheryl Exum. is indeed all too tempting to limit the conversation to the “religious” dimension in the interpretation of and interaction with Gibson and his film.
17 Das Jesus video Superstar Dracula 2000 Secondo Giovanni The Cross What Wouldn't Jesus Do? The Boy Who Saw Christ Jesus, du Weisst Screen Door Jesus De arm van Jezus Searching for the Wrong-Eyed Jesus Jesus Camp Gas Station Jesus ...
An examination of tribal tensions in Genesis from Mali can sit alongside a Welsh-Russian 3D-animated film about Jesus. ... Jason Wood, author of the 100 American Independent Films entry in this series, finds that selecting a hundred ...