Since the 1970s, romance novels have surpassed all other genres in terms of popularity in the United States, accounting for half of all mass market paperbacks sold and driving the digital publishing revolution. Romance Fiction and American Culture brings together scholars from the humanities, social sciences, and publishing to explore American romance fiction from the late eighteenth to the early twenty-first century. Essays on interracial, inspirational, and LGBTQ romance attend to the diversity of the genre, while new areas of inquiry are suggested in contextual and interdisciplinary examinations of romance authorship, readership, and publishing history, of pleasure and respectability in African American romance fiction, and of the dynamic tension between the genre and second wave feminism. As it situates romance fiction among other instances of American love culture, from Civil War diaries to Bob Dylan’s Blood on the Tracks, Romance Fiction and American Culture confirms the complexity and enduring importance of this most contested of genres.
Nineteenth-century American romance, as a genre, is defined by the writings of a particular group of authors - James Fenimore Cooper, Washington Irving, Charles Brockden Brown, Edgar Allan Poe, Nathaniel...
... III, 179; Lynn, III; Marie, IIo; Maureen, 48, 70–71, 96, I59, 202; Penny, 91, IIo; Susan, 91, 98, IIo, III, 159; reasons for reading romances of, 60–63, 70, 82, IOO, IO/–9, IIO-12, II6, 159, 179, I84–85, I86, 195; reading habits of, ...
Cham, Switzerland: Springer International Publishing. Vivanco, Laura. 2011. For Love and Money. The Literary Art of the Harlequin Mills and Boon Romance. Penrith: Humanities Ebooks. Wentworth, Sally. 1990. Illusions of Love.
Catherine M. Roach, alongside her romance-writer alter-ego, Catherine LaRoche, guides the reader deep into Romancelandia where the smart and the witty combine with the sexy and seductive to explore why this genre has such a grip on readers ...
'Romance with America?' is a collection of twenty-one essays by one of today's most important American Studies scholars. The selection assembled here pays tribute to the immense scope of Winfried...
... Love's $weet Return: The Harlequin Story. Toronto: Women's Educational Press, 1984. “Joey W. Hill Interview.” Author Island. http://www.authorisland.com/index.php?option=com_content &task=view&id=4340&Itemid=602. Jones, Ann Rosalind ...
Ed. Sarah S. G. Frantz and Eric Murphy Selinger. Jefferson, North Carolina: McFarland, 2012. 153–63. Kamblé, Jayashree. Making Meaning in Popular Romance Fiction: An Epistemology. 152 Pursuing Happiness.
Watts examines in detail Brown's early and later writings. By looking at these often-neglected works more closely, he offers a new perspective on the well-known novels from the late 1790s.
... a prince or crown prince: Sarah Morgan's The Sheikh's Virgin Princess (2007), Sharon Kendrick's The Desert King's Virgin Bride (2007), Chantelle Shaw's At the Sheikh's Bidding (2008), and Kim Lawrence's Desert Prince, Defiant Virgin ...
Subversive Sybils: Women's Popular Fiction this Century. The British Library, 1996. Callil, Carmen and Colm Tóibín, eds. The Modern Library: The 200 Best Novels in English Since 1950. Robinson, 2011. Chow, Karen.