The Dramaturgy of the Door examines the door as a critical but under-explored feature of theatre and performance, asking how doors function on stage, in site-specific practice and in performances of place. This first book-length study on the topic argues that doors engage in and help to shape broad phenomena of performance across key areas of critical enquiry in the field. Doors open up questions of theatrical space(s) and artistic encounters with place(s), design and architecture, bodies and movement, interior versus exterior, im/materiality, the relationship between the real and the imaginary, and processes of transformation. As doors separate places and practices, they also invite us to see connections and contradictions between each one and to consider the ways in which doors frame the world beyond the stage and between places of performance. With a wide-ranging set of examples – from Shakespeare’s Macbeth to performance installations in the Mojave desert – The Dramaturgy of the Door is aimed at performance makers and artists as well as advanced students and scholars in the fields of performance studies, cultural theory, and visual arts.
A pioneering study by Philip Timberlake, long ignored by mainstream scholarship, revealed the huge difference in the number of lines with feminine endings ...
Questioning the lengths people should go in the name of a cause, Timberlake Wertenbaker's Winter Hill premiered at the Octagon Theatre, Bolton, in May 2017.
The Love of the Nightingale
Based on a historical incident.
Karen Cunningham looks at contemporary records of three prominent cases in order to demonstrate the degree to which the imagination was used to prove treason: the 1542 attainder of Katherine Howard, fifth wife of Henry VIII, charged with ...
This classic collection contains a new essay by Alan Bennett, besides the original introductions to A Private Function, Prick Up Your Ears and The Madness of King George.
When Lucy, an ordinary teenager, feels ignored by her family, she brings her childhood fantasy friend Zara back to life, only to have her materialize and bring with her a dream family for Lucy
Its greatest pleasure comes from Mr Plummer's taking you step by step through Lear's enormous changes in temperament and insight, and justifying every turn on both an intellectual and gut level. I have never seen an audience so ...
Cast: Matte Osian (Richard), Barry Smith (Bolingbroke), Frank O'Donnell (Gaunt), Kadina de Elejalde (Queen), Robert F. McCafferty (Northumberland), David W. Frank (York). Running time 93 minutes. An independent film shot on a disused ...
This edition also includes useful background information including the Potter family tree and a timeline of events from the Wizarding World prior to the beginning of Harry Potter and the Cursed Child.