This book brings the emerging fields of practical theology and theology of the arts into a dialogue beyond the bias of modern systematic and constructive theology. The authors draw upon postmodern, post-secular, feminist, liberation, and dialogical/dialectical philosophy and theology, and their critiques of the narrow modern emphases on reason and the scientific method, as the model for all knowledge. Such a practical theology of the arts focuses the work of theology on the actual practices that engage the arts in their various forms as the means of interpreting and understanding the nature of the communities and their members, as well as the mechanisms through which these communities engage in transformative work, to make persons and neighborhoods whole. This book presents its theological claims through the careful analysis of several stories of communities around the world that have engaged in transformational practices through a specific art form, investigating communities from Europe, the Middle East, South America, and the U.S. The case studies explored include Jewish, Christian, Muslim, Druze, indigenous, and sometimes agnostic subjects, involved in visual art, music, dance, theatre, documentary film, and literature. Theology and the Arts demonstrates that the challenges of a postmodern and post-secular context require a fundamental rethinking of theology that focuses on discrete practices of faithful communities, rather than one-dimensional theories about religion.
... Music Education and the Art of Performance in the German Baroque ( Cam- bridge : Cambridge University Press , 1994 ) , pp . 33ff .; Wolff , Johann Sebastian Bach , pp . 1-11 , 465-72 . For example , there is a much - quoted saying ...
Why should the church be involved with the arts? What are the roles that the arts play in the religious life? How does art reveal the presence of God? What...
The aim throughout is to engage the reader in theological reflection, mediated and enhanced by the arts. This beautifully illustrated book includes more than fifty images in full color.
In this luminous book, he addresses the question of art and faith and their reconciliation with a quiet and moving eloquence.”—Martin Scorsese “[An] elegant treatise . . .
William Benzon, Beethoven's Anvil: Music in Mind and Culture (New York: Basic Books, 2001), 28. 34. Benzon, Beethoven's Anvil, 43. See also Stefan Koelsch and Walter A. Siebel, “Towards a Neural Basis of Music Perception,” Trends in ...
An introduction to the theology of art and the art of theology.
A Natural Theology of the Arts contends that the arts are theological by their very nature and not simply when they are explicitly religious - thereby constituting a distinctive kind of 'natural theology'.
In Marsden Hartley the religious impulse is expressed in forms that suggest rootage in a Christian past , and this religious impulse is cast in the familiar , terrifying world of loneliness and death . Widely traveled though he was ...
The language of aesthetics, applied to the maker’s intentions, the qualities of the work, and the responses of the audience, better addresses the questions of beauty, and better suits the discussion of human actions, beliefs, and culture ...
This is state of the art!" --Nicholas Wolterstorff, Yale University; Institute for Advanced Studies in Culture, University of Virginia "Jeremy Begbie sets a high standard for a theological engagement with the arts.