Looking at a television franchise like Battlestar Galactica (BSG) is no longer news within the discipline of International Relations. A growing number of scholars in and out of IR are studying the importance of cultural artifacts – popular or otherwise – for the phenomena that make up the core of our discipline. The genre of science fiction offers the analyst an opportunity that cannot be matched by more mimetic genres, namely the chance to look at how sets of widely-circulating expectations of the social serve to constrain authors as they work to introduce as yet unexplored problematiques, the fantasy aspect in much of science fiction storytelling is premised simply on a material difference. As such, while the physical setting of a science fiction tale might appear novel, its imaginative life world will likely retain many elements of the world we already live in and which we can readily recognize as similar to our own. For Critical IR scholarship then, BSG presents an opportunity to examine how these purported homologies or elements of redundancy between the fantastic and the real have been drawn and perhaps to consider, too, whether the show can teach us things about world politics, its various logics and structures, which we might not otherwise be sensitive to. Tackling some of the key contemporary issues in IR, the writers of BSG have taken on a range of important political themes and issues, including the legitimacy of military government, the tactical utility of genocide, and even the philosophical implications of artificial intelligence technologies for the very category of what it means to be 'human'. The contributors in this book explore in depth the argument that one of the most important aspects of popular culture is to naturalize or normalise a certain social order by further entrenching the expectations of social behaviour upon which our mentalities of rule are founded. This work will be of interest to student and scholars of international relations, popular culture and security studies.
For all I know, I have eaten McDonald's burgers and fries in more countries in the world than anyone, and I can testify that they all really do taste the same. But as I Quarter- Poundered my way around the world in recent years, ...
The movie was remade in 2008, updated to an alien who takes human form (Keanu Reeves) ostensibly to destroy humanity in order to save Earth's environment. Aliens in Close Encounters of the Third Kind (1977), also directed by Spielberg, ...
This edited volume analyses a number of controversial policies, and contentious strategies which have promoted space activities under the rubric of exploration and innovation, militarization and weaponization, colonization and ...
" Neo-opsis What’s the point of living after your world has been destroyed? This is one of many questions raised by the Sci-Fi Channel’s critically acclaimed series Battlestar Galactica.
... International Political Economy, edited by R. J. Barry Jones, 703–04. London: Routledge, 2001. Easton, David. The ... Battlestar Galactica.” In Battlestar Galactica and International Relations, edited by Nicholas J. Kiersey and Iver B ...
... Battlestar Galactica's Portrayal of Insurgents at a Time of War.” In Battlestar Galactica and International Relations, eds. Nicholas J. Kiersay and Iver B. Neumann. New York: Taylor and Francis. 184–205. Crawford, Neta C. 2000. “The ...
Exploring how changes in advanced technology deeply affect international politics, this book theoretically engages with the overriding relevance of investments in technological research, and the ways in which they directly foster a ...
This book examines the role of technology in the core voices for International Relations theory and how this has shaped the contemporary thinking of ‘IR’ across some of the discipline’s major texts.
This carefully composed text is comprised of sixteen brief chapters, each of which takes a prominent science fiction film or television episode and uses it to explore fundamental components of political science.
With worldwide calamity feeling ever closer, this new apocalyptic edition includes updates throughout as well as a new chapter on postcolonial perspectives.