From fetuses scanned ultrasonically to computer hackers in daycare, contemporary children are increasingly rendered cyborg by their immersion in technoculture. As we are faced with reproductive choices connected directly with technologies, we often have trouble gaining perspective on our own cultural co-dependency with these very same technologies. Our notions of fetal health, maternal risk and child IQ are inseparable from them. Cyborg Babies tracks the process of reproducing children in symbiosis with pervasive technology and offers a range of perspectives, from resistance to ethnographic analysis to science fiction. Cultural anthropologists and social critics offer cutting-edge ethnographies, critiques, and personal narratives of cyborg conceptions (sperm banks, IVF, surrogacy) and prenatal (mis)diagnosis (DES, ultrasound, amniocentesis); the technological de- and reconstruction of birth in the hospital (electronic fetal monitors, epidurals); and the effects of computer simulation games and cyborg toys and stories on children's emergent consciousness. Contributors include Janet Isaacs Ashford, Elizabeth Cartwright, David Chamberlain, Jennifer Croissant, Charis M. Cussins, Robbie Davis-Floyd, Joseph Dumit, Eugenia Georges, Anne Hill, Mizuko Ito, Emily Martin, Steven Daniel Mentor, Janneli F. Miller, Lisa Mitchell, Lisa Jean Moore, Rayna Rapp, Matthew A. Schmidt, Syvia Sensiper, Elizabeth Roberts and Sherry Turkle. Examining the increasing cyborgification of the American child, from conception through birth and beyond, Cyborg Babies considers its implications for human cultural and psychological evolution.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...