Disruptive Divas focuses on four female musicians: Tori Amos, Courtney Love, Me'Shell Ndegéocello and P. J. Harvey who have marked contemporary popular culture in unexpected ways have impelled and disturbed the boundaries of "acceptable" female musicianship.
... erotica, or otherwise. on hibari as bad-girl / good-girl diva In a 2002 book, Disruptive Divas; Feminism, Identity and Popular Music, Lori Burns and Melisse Lafrance analyze four female musicians (Tori Amos, Courtney Love, ...
As mentioned earlier, Stone acknowledged his debt to the blues, but Robinson also had an extensive blues background. She states, “I used to play with Jimmy McCracklin and Lowell Fulson. I used to hear all these guys on 78s at my ...
Reilly, Edward J., American Popular Culture Through History: The 1960s (Westport: Greenwood Press, 2003). ... Richardson, James, Joel Best and David Bromley (eds.) ... Rojek, Chris, Celebrity (London: Reaktion Books, 2001).
Disruptive Divas: Feminism, Identity, and Popular Music. New York: Routledge, 2002. Burton, Deborah, Susan Vandiver Nicassio, and Agostino Ziino, eds.Tosca's Prism: Three Moments in Western Cultural History.
Brian Singleton: Oscar Asche, Orientalism, and British Musical Comedy. Westport, Conn., and London: Praeger, 2004, p. 110. Said: Orientalism, pp. 214–215. Robert Hichens: “Skirting the Balkan Peninsula: From Trieste to Constantinople.
(1998) follows a fabulous Lacanian account of the album (with additional inspiration from Jean-Paul Sartre) by Lori Burns and Mélisse Lafrance in their book Disruptive Divas: Feminism, Identity and Popular Music (2001).2 The authors ...
Controversies of the Music Industry. Westport, Conn., and London: Greenwood Press, 2001. xiv, 271 pp. ISBN 0–313–31094–7. Among the dozen controversies covered in this book is “The Glass Ceiling: Women in the Music Industry” (pp.
Arts and Entertainment Fads. New York: Haworth Press, 1990. Panati, Charles. Panati's Parade of Fads, Follies, and Manias: The Origins of Our Most Cherished Obsessions. New York: HarperPerennial, 1991. Savan, Leslie.
Michael Gordon. Please Leave Quietly (2004) dir. Maria Mochnacz. Quadrophenia (1979) dir. Frank Roddham. The Red Shoes (1948) dir. M. Powell and E. Pressburger. Reeling with PJ Harvey (1993) dir. Maria Mochnacz. South Pacific (1958) dir ...
Disruptive divas:feminism, identity &popular music. New York: Routledge, pp. 31–61. Bynum, C. W. 1984. Women's stories, women's symbols: A critique of Victor Turner's theory of limination. In R Moore and F Reynolds (eds.) ...