A Blues Bibliography, Second Edition is a revised and enlarged version of the definitive blues bibliography first published in 1999. Material previously omitted from the first edition has now been included, and the bibliography has been expanded to include works published since then. In addition to biographical references, this work includes entries on the history and background of the blues, instruments, record labels, reference sources, regional variations and lyric transcriptions and musical analysis. The Blues Bibliography is an invaluable guide to the enthusiastic market among libraries specializing in music and African-American culture and among individual blues scholars.
Sometimes, you just gotta be blue. But, as this book goes to show, that's okay--because you're never alone.
(Guitar Educational).
14 September 1981; Memphis, TN Country-blues singer, songster, and bottleneck slide guitar player. ... He sang and played guitar for both black and white audiences, at picnics, fish fries, dances, medicine shows, or on the street ...
July 20 , 1934 ) ; Thomas A. ( “ Tommy ' ' ) LiPuma ( b . July 5 , 1936 ; Cleveland , OH ) ; Don Graham . A former executive with King Records and Kama Sutra Records , Bob Krasnow and partners recorded Arthur Adams , Clifton Chenier ...
“They'd never get nothing near dance music but they would carry out a free idea of their own, playing something out of their head, especially if you had a good cornet and clarinet soloist who could play on top of the band.
Really the Blues—the jive-talking memoir that Mezzrow wrote at the insistence of, and with the help of, the novelist Bernard Wolfe—is the story of an unusual and unusually American life, and a portrait of a man who moved freely across ...
Hughes was convinced that he had upped his poet's game, purged his voice of voyeurship, hewed closer to “Negro folk- song forms,” and been more faithful to the life struggles of the black people he wrote about. But black reviewers were ...
A collection of 101 blues riffs and solos ideal for all mandolinists looking to get a good grasp of jamming the blues. The book covers all the essential tools needed to play blues mandolin.
In turn, generations of artists claimed him as inspiration, from Jimi Hendrix and Eric Clapton to Carlos Santana and the Edge. King of the Blues presents the vibrant life and times of a trailblazing giant.
While writing Urban Blues in the mid-1960s, Keil optimistically saw this cultural expression as contributing to the rising tide of raised political consciousness in Afro-America.