The second edition of this innovative textbook brings together leading scholars to provide detailed analyses of twenty-two key films within the canon of French cinema, from the 1920s to the 1990s. Films discussed include: * masterpieces such as Renoir's La Bete Humaine and Carne's Les Enfants du Paradis * popular classics such as Les Vacances de Monsieur Hulot and Ma Nuit chez Maud * landmarks of the New Wave such as Les 400 Coups and A bout de souffle * important films of the 1990s such as Nikita and La Haine The films are considered in relation to such issues as the history of French cinema, the social and cultural contexts of their production and reception, the relationship with Hollywood cinema, gender politics, authorship and genre. Each article is accompanied with a guide to further reading and a filmography of the director, and the new edition also includes a fully revised introduction and a bibliography on French cinema.
This thoroughly revised and expanded edition of a key textbook offers an innovative and accessible account of the richness and diversity of French film history and culture from the 1890s to the present day.
Cinema. of. the. 1970s. ○○ May '68 and after: A new cultural era ○○ Economic assessment of French cinema ○○ The “Scandal” of the Cinémathèque Française ○○ Political cinema as a new genre: Louis Malle, Joseph Losey, ...
Like many national cinemas, the French cinema has a rich tradition of film musicals beginning with the advent of sound to the present. This is the first book to chart the development of the French film musical.
An examination of pre-World War II French cinema, which analyzes the works of such directors as Renoir, Gremillon and Chenal in order to explain why the French were first to give maturity to the sound film.
The work of a - then - unknown young team, it became hugely and unexpectedly successful, launching director Mathieu Kassovitz and lead player Vincent Cassel to stardom.
edinburghuniversitypress.com/series/tiwc FRENCH BLOCKBUSTERS Cultural Politics of a Transnational Cinema Charlie Michael ... Italian Neorealist Cinema Torunn Haaland New Transnationalisms in Contemporary Latin American Cinemas Dolores ...
This book, written by two leading scholars of French film, offers students an introduction to the history and theory of French cinema.
CAPELLANI, ALBERT (1870–1931). Actor, director, and screenwriter. Albert Capellani was one of the few pioneers of cinema to have any formal training in the dramatic arts. He studied drama at the Paris Conservatoire d'art dramatique ...
Directed by the great Jean Renoir, "La Grande Illusion" (1937) is the finest of all anti-war films and a cinematic masterwork.
"Du rififi chez les hommes" (1955), directed by the exiled American film director Jules Dassin, recounts the nail-biting tale of a Parisian gangster heist gone wrong.